Happily, L.A.'s locally grown music scene is as vibrant and diverse as ever with a slew of recent independent E.P.s and L.P.s so fresh and creative, they deserve your love and attention -- and airplay (KCRW and KCSN are you listening?).
After all, music soothes the savage beast. And there's plenty of wild legislators roaming the government corridors that could use some calming down. Jazz dudes may have found the elixir: jazz is Xanadu minus the Xanax.
Others can and will profile Ayers' impressive public career as presented in his autobiography. What I want to do here is profile "Brandy" as a person, using excerpts from the book to more fully portray this complex man and his progressive mission.
"My mother is Irish-American and my father is Afro-Panamanian, so it's kind of been the story of my life to be a bridge between different cultures and different styles, and musically, that's between jazz and R&B."
"I sang a duet with Juanes and we hit it off immediately -- I think he is fantastic. Then on Duets II, Alejandro Sanz sang with me... Both tracks and the CDs were received so well in Latin countries that my son Danny, who manages me, came up with the idea of doing an entire CD with Latin artists."
At age 97, more than eight decades into his remarkable career, Irving Fields is the last of the original generation of cocktail pianists who tickled the ivories in Manhattan's swankiest nightspots in the 1930s and '40s.
John Pizzarelli: Favorite album of all time? ... Abbey Road is pretty close to the top of the list. It's funny. You could say Abbey Road or you could say In The Wee Small Hours Of The Morning, because they're the types of records you put on and say, 'Oh, I'll just listen to one or two tracks.'