White-hot controversy is dogging the opera's Metropolitan Opera House premier engagement after many productions elsewhere, only some of them protested. The circumstances have, not surprisingly, clouded the reality of the Adams-Goodman work.
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Die Fledermaus back again as the Metropolitan Opera's New Year's Eve gala confection? Directed by Jeremy Sams, who also supplied the revised lyrics, ...
My question, then, is: Whom are the presenters doing a favor by offering these recitals? Opera lovers will know they aren't hearing singing done under the proper conditions.
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