If you thought Francis Bacon had a monopoly on grotesque and fragmented painted forms, think again. A new group exhibition at Marlborough Chelsea feat...

What is most notable about the art of Lerman is the way in which he incorporates an element of humanity into the texture and surfaces of the glazed terracotta he employs.

Today is the birthday of abstract cartoonist extraordinaire, Philip Guston. The notable painter and printmaker who served as a bridge between abstract...

Some of the best posts, however, have been focused on what's happening in the studio. In addition to studio visits and interviews, there were posts on visual practice including Christopher Chippendale's essay Fluidity in Focus.

From the nearly 700 postsfeatured on Painters' Table in 2011, the following twenty represent a unique take on the state of painting in 2011.

Given the abundance of great exhibitions it's not surprising that there were plenty of excellent painting posts in September. Ten fantastic posts are below, and you can find more daily at Painters' Table, the magazine of the painting blogosphere.

From an exhibition of new landscape and portrait paintings by Leon Kossoff, who works for years on each canvas, to an exhibition of "Unfinished Painti...

Robert Feintuch is that rare thing: a serious painter and a reasonable man. His work is figurative but is neither radical nor reactionary. It's mar...

February 2011, a month that saw a preponderance of painting exhibitions in New York also produced some instantly classic painting blog posts. Don't m...

Snowbound January days, it seems, were good for painting, reading, and blogging, at least if the painting blogosphere is an indicator.

Philip Guston valued looking, poetry, ambiguity, suggestion, collaboration and introspection.

When we think of violence and visual art, often what comes to mind are scenes documenting brutality and its aftermath in a linear fashion - a sh...

Once upon a time, a group of American artists fought to distinguish themselves from their European elders and peers. They took as their quest nothing less than re-inventing art.

An interview with the starchitecta tells of her work, her life and how to get it done.

Yuskavage says -- using the lexicon of sex to describe her process -- "I can't paint as a bottom. I have to paint as a top."