While it's a lighthearted and funny story, the play does carry some complicated issues related to identity and sexuality. For these characters -- and the show in general -- there's usually more than meets the eye.

Harry Connick, Jr. thrives when the spotlight is on him, and the show takes full advantage of his wonderful stage presence by having him escort the audience through the play, start to finish.

The new Broadway production of Noel Coward's Private Lives, about a divorced couple's awkward run-in while both are honeymooning at the same French hotel, is just not quite funny enough.

The Mountaintop does not aim to call Martin Luther King's life and legacy into question; rather, it hopes to make him a more relatable character -- he smokes, curses, and, yes, even goes to the bathroom.

Three plays for the price of one sounds like a promising proposition, especially when well-known writers Woody Allen, Ethan Coen, and Elaine May are the forces behind them.

When the Blue Men enter the audience -- whether via the aisle or climbing over seats -- you can share the suspense of what might happen next with the person next to you.