The first time I ever saw Emmanuelle Seigner I was a 15 year old grunge kid, and she was the gorgeous vulnerable seductress Mimi, intertwined in her husband Roman Polanski's fatally passionate love story Bitter Moon.
It's telling that there's no writing credit. The show was "created by the Mad Ones in collaboration with the ensemble." That may be why The Essential Straight & Narrow has a clutch of great characters but a sagging and vague structure.
Yes, I know, the next scene lets Moss make peace with his father and it's lovely in the book. But you've got to know how to cut away the underbrush. Kaufman knew. Hart learned. Lapine here, blinded by love, clearly forgot.
My friends are never very excited about new plays. What is The Realistic Joneses and why did celebrities want to be in it? Is Casa Valentina an atmospheric production where they treat us like we're in a resort?
The generally spacious, multi-level restaurant was jam-packed with everyone from Nathan Lane to Bernadette Peters, and everywhere you looked, you couldn't help but lock eyes with Victor Garber or rub shoulders (literally) with F. Murray Abraham.
Where to start with David Ives' twisting, tantalizing and tawdry dark comedy? This is the kind of work that delights and surprises in the moment, yet following the event you begin to look past the intoxicating veneer to unravel the underlying puzzle.
This is a portrait, in four slices, of an American family. Not a typical American family, mind you. These are upper middle class, New York liberals: Baby Boomers dealing with life, family, death, and politics sixty years after the Boom.
Somehow I still did not believe that this goliath could close up shop and quietly slip away. It seemed time to write about Martin and his site which has served so many in the New York indie theatre community.
Hillary's is a sideshow that will be countered later. But Cruz's circus is playing now and it's being panned, not only by House Speaker John Boehner and Senate Minority Leader Mitch McConnell but by Barack Obama and top Democrats.
Dude, I can explain. In the grand tradition of the theater, "getting it" is as much of a theme as star-crossed lovers or inevitable fate. I am sorry but, Mr. Brantley, you did not get it, and I don't think you could have. The show was not for you, it was for me.
Why the F*%K do we do it? Money? Fame? Love of the process? What is it? Why do we continue to write screenplays when aside from the outrageously arduous task of getting it even remotely right, the odds of then getting it sold and then made and then becoming a hit are...well doubtful.