When I had a chance to sit down and talk with her about her latest New York offering, Stage Kiss, currently playing at Playwrights Horizons, I headed to Brooklyn Heights for the opportunity to pick her brain.
So extraordinarily good was the one-night Encores! Off-Center staged concert reading of the Jeanine Tesori-Brian Crawley Violet, directed by Leigh Silverman, that it calls for some serious transfer-it-somewhere-else-fast thinking.
The first I heard of the Lilly Awards was when I was lucky enough to be invited to the fourth annual ceremony on June 3rd, 2013, at Playwrights Horizons presented by The Committee for Recognizing Women in Theater.
D'Amour's intentions might be accepted, and even applauded, if she supported her characters with three-dimensional grounding. But here's where she allows herself to believe that presenting a gloomy prediction of national spoilage is all she needs to do. (Or is she just being lazy?)
There's an extraordinary amount of richly conceived theater available currently at some of New Yorks's institutional theaters. To help you sort out what's what, here are some brief thoughts on a trio of recently opened shows.
We all know them -- the beleaguered corporate assistants who are giving up any hope of personal time, relationships and sanity, all for the overriding ambition to be the next CEO, or at least have a better job title, or maybe, just maybe a raise.