Another list felt necessary -- a list that not only clearly identified transgender inclusion in the conversation, but shifted the focus to transgender playwrights, with the same intention as The Kilroys: to show we exist.
Maybe you've been there as a playwright, as I have. Maybe you've been there as an audience member. Maybe you've been there as part of a system of "new play development." Maybe it's been working against the creation of vibrant and exciting new theater. I am speaking of the Talkback.
Working on this play is unlike anything I have ever worked on as an actor. We got random pieces of the script at a time, instead of a complete script. We actually received a completed Scene 3 before we had written Scene 2.
Too often, Americans especially view theater as something that is only done in the English-speaking world. One of the coolest things about Edinburgh is finding a hidden gem from the great big wide world of theater, done by companies outside the U.S. and UK.
The 13 playwrights of 13P formed nine years ago to realize full productions of their plays. Each playwright produces one play, serving as the artistic director of the production. The group ceases to exist once every playwright has had a production.
We may be a country founded on free speech, but our ongoing inability to define pornography and obscenity creates a grey area; inflammatory words employed knowingly for artistic and cultural reasons are verboten.
"The phrase Marriage Equality has become a political talking point for liberals and conservatives alike. The goal with the Marriage Equality Plays is to share a human side of a polarizing political issue."
Written and performed by the students of Henry M. Gunn High School, Faceoff seeks to explore the intersection of tyranny and resistance. I caught up with Betsy Franco, who coached Gunn's teen writers and actors through the process.