In a film class this past semester, 60 undergraduate students, most of whom had never heard of white privilege, were confronted with its realities -- realities that are evident in the tropes, themes, characters and concerns of blockbuster movies.
A post-racial society is more like a continuous improvement process that requires incremental improvements over time rather than a "breakthrough" improvement that happens all at once as the result of a black American as president.
Whose bodies and lives will this grand social vision of a post-racial world benefit especially when considering the counter-investment in notions of "blackness" that post-racial propagandists seem to maintain?
While Black female creative professionals try to gain footing in the wake of such staggering facts, it is no wonder then that the rise of the Black girl crush has emerged. In fact, it has crested in my own life, as I have been working freelance since May 2011.
I hate the notion that some of us black folks come with an asterisk. I'm black, but (asterisk) I love Guns N' Roses. I'm black, but (asterisk) I can watch Professional Bull Riding for hours. I'm black but (asterisk) I'm still looking for someone to teach me how to Dougie.
Obscured by incessant chatter about the credit rating and national debt is the sad reality of poverty and hunger in America. At the root of these issues is the ugly legacy of racism and the failure to recognize white privilege.
Is Jim Crow back? Are African Americans, particularly African American men, once more suffering systematic discrimination on the basis of race -- a discrimination that locks them out of equal rights and basic citizenship?
In our efforts to move past race, we have run right smack into it. There is no doubt about it. Rather than moving us toward a post-racial society, it has made us hyper vigilant of how race and power intersect in American society.