I think that performers can stay true to their roots while being sensitive to diversity and disability. You don't need to spew misogynistic lyrics, fuel homophobia in the urban community or use a serious condition that affects 1 in 88 children as an insult or a punch line.
The first step to overcoming an addiction is admitting that you have one. In order to rid oneself of addiction, one must declare it. My name is Fire Burgess and I am a diehard fan of misogynistic rap music.
For one, the "coming out" dog and pony show that the media puts on now is getting tired. It should not be breaking news in 2013 for anyone to announce their sexuality. I understand how "momentous" and "unprecedented" all of this is, but I do find it exploitative and repetitive as well.
The n-word is overused, misused and socially abused on sites like Facebook and Twitter all the time. And while we act as if Rihanna has done something extraordinarily taboo, I challenge you to check the Instagram accounts and tweets of many other hip-hop artists and friends.
Grammy Award-winning rapper Eve is making her big comeback on the music scene with Lip Lock, her first new album since 2002's Eve-Olution. She stopped by to chat about working on the new tracks, major collaborations, and what on Earth she's been up to for the past decade!
Earlier this month, the 5th District Illinois appellate court reversed the conviction of Olutosin Oduwole, an aspiring hip hop artist and Southern Illinois University student who was found guilty of attempting to make a terrorist threat during his 2011 trial.
The publicity of rapper Wayne's decidedly vulgar reference to Emmett Till -- whose scandalous murder in Mississippi in 1955 was considered by many as the impetus to the modern civil rights movement -- was, or so I thought, a teachable moment in my sociology classes at a black college.
I'm well aware of the misogyny and homophobia of hip-hop as a whole and the fact that Azealia's male counterparts say similar things on wax and outside the studio, but I'm specifically irritated and baffled by Azealia's ignorance, behavior and theories because she's a black bisexual woman.
No offense to any of these artists (besides Flo-Rida, I fully mean to offend you), but these songs definitely need to be punished and shown to the gates of Hades, where they will have ample time to think about what they've done.
Paying attention to the guilt-redemption, love-hate and God-Devil themes found in Mathers's music is an important part of understanding how the perception of spirituality is active in today's popular culture.
Who knows what would have become of me had I grown up in an era where my idols, the preeminent examples for success from communities like mine, limited their content to the four or five themes that dominate today's hip hop landscape.