Young American boys (including myself) have been running around with toy/imaginary weapons pretending to be soldiers for millenia, and have been watching TV shows and movies about the military for decades.
As technology advances and our knowledge accumulates, some ideas just don't make as much sense as they used to and are relegated to novelties or objects of nostalgia. I think it might be time to add the standard romantic comedy to this list of obsolete institutions.
Perhaps what's most mysterious about the Mysterious Island is that it takes place in a world where well-paid actors are unable to mimic authentic human emotions, and a script's action scenes appear to have been written before the story.
In that sense, along with impressive special effects, Chronicle succeeds in keeping its story firmly planted in the real world despite its science-fiction premise. It's likely that not all outcasts would use newfound abilities to defend the weak, save the planet, and become a hero.
Before seeing Pina, I had agreed with the conventional wisdom that 3D was best suited for action and animated films, though the vast majority of 3D movies I'd seen so far had left me feeling like it shouldn't be used at all.
With Soderbergh's Ocean's 11 heist series over, the director is clearly looking for another genre franchise to do for fun between his more challenging and experimental pieces. Haywire fits that description.
Nostalgia can't be the only reason why The Artist is receiving such critical praise. And be sure -- The Artist is a charming, beautifully shot, often funny novelty that audiences of all ages would do well to take a chance on.
If you've seen any of the ads for Drive, starring Ryan Gosling as a nameless stunt driver who moonlights as a wheelman for hire, you'd probably think it is a darker, more artsy installment of the Fast and the Furious franchise.
The thing about Aziz Ansari's character, Chet, is that being Indian is not even a minor part of Chet's character. In fact, the role of Chet could've been played by an actor of any race -- and that's what I find exciting.
Dominic Cooper's stunning dual performance as Latif Yahia and Uday Hussein is unlike anything I've ever seen before, playing both kidnapper and captive, owner and slave, criminal and witness, with two utterly distinct, mesmerizing performances.
Tabloid tells the story of Joyce McKinney, a former beauty queen whose obsession with a man named Kirk Anderson led her to fly to England to bring him back. What happened after that depends on whether you believe Joyce or the British tabloids.
If you had just directed a movie that went on to gross over $700 million worldwide, what would you direct next? Director Chris Weitz chose to make a small movie from a screenplay that had been languishing for over 20 years.
Queen of the Sun: What Are the Bees Telling Us? looks at possible causes of colony collapse disorder as well as the millennia-old relationship between bees and humans that had been so mutually beneficial for so long.
A Better Life reveals the truth that immigrants are perhaps the purest reflection of the American dream, which isn't to become a millionaire, but to improve the lives of their families through hard work.
Ever since the 1951 book The Catcher In the Rye, stories about angsty, alienated, financially secure (mostly male) teenagers in existential crisis over "what it all means" have become a staple of movies, TV and literature.