Last month in Santa Monica, I attended a multiplatform art event sponsored by Audi to promote their new A3. As many friends of this page know, I do not drive a car, so I'm not all that well-equipped to judge, but the car looks really nice.
Now I conjure my eight-year-old self to help me remember what he saw so that I can make it for him: Imagination in return for the skills to render his vision. I call it stealing candy from my inner child.
The 2014 L.A. Art Show came and went without a hitch. It was great to see so many people interested and appreciating art as Los Angeles sits on the cusp of becoming a world-class cosmopolitan metropolis due to its creativity and sphere of influence around the globe.
Each step in the process is an opportunity to enhance the final product, which is usually a lot more intriguing than the original thought in my head and a lot easier to share. And, not unlike children, paintings have a rich life beyond the easel that is beyond your control.
Filmmaker Morgan Spurlock injects his passion for bold, brash and modern paintings into the art scene by curating "New Blood," which includes all original works from established artists and the new blood they chose to exhibit with them.
Such scrappy behavior -- hopeful, yet realist in a "turning world" -- is what propels this Down Under band over the precarious tightrope navigating the middle ground between dreams and nightmares on their journey to define a rock 'n' roll (r)evolution in the 21st century.