I don't loathe Valentine's Day -- I just loathe the pressure placed on people. Buy a single rose, if you must. Buy an Otis Redding album (always do that). And watch a movie, preferably a movie in which romance goes terribly awry -- like Vertigo.

Martin Scorsese was born in Queens, New York on Nov. 17, 1942. In the 70 years since his birth, he's responsible for some of the most indelible images...

"Taxi Driver" meets ... Walt Disney? Why not? Made by Vimeo user Bryan Boyce, this bizarre supercut combines Martin Scorsese's classic "Taxi Driv...

For those of us who grew up in the suburbs in the pre-home video, pre-Internet and pre-cable TV 1970s and early '80s, there were few dangerous pleasures as heady as sneaking into an R-rated movie at the local multiplex.

The Descendants is my favorite film of the year for its ability to find the pain, dignity and humor in the story of a man watching his way of life die, even as he has to act as steward to its demise.

The first hour of Steven Soderbergh's Contagion is so tense that you can almost forgive the second half for getting bogged down.

The Berlin Film Festival held the world premiere of the 4K restoration of Taxi Driver. After many viewings throughout my life, the movie, all red light and red blood and red anger, is still lingering in my mind.

In 1976, Bobby De Niro was fired from Bogart Slept Here directed by Mike Nichols. Today comedian De Niro who brings in the laughs in The Little Fockers proves he is fireproof.

The law of diminishing returns is a law for a reason. And nowhere are the returns more diminished than Little Fockers, the third film in a series that began in 2000. With this one, they've barely bothered with a plot.

Over a decade after last collaborating, one of film's greatest teams is reuniting: Martin Scorsese will direct Robert De Niro in, 'The Irishman,' the ...

American remakes of foreign films? That would be a 'no' vote. Having said that, I can heartily recommend Let Me In, the moody, touching American remake of the Swedish vampire film, Let the Right One In, from 2008.

Shutter Island pushes our conception of Scorsese to the brink. It tests him, proving that he has what it takes to navigate through the film's several time frames and planes of consciousness.

Salinger's Garbo-like elusiveness and impossible adaptations never stopped legions of filmmakers from being influenced by both the work and the man.

In Everybody's Fine, De Niro neither plays a character who kills someone or plays a parody of Robert De Niro as either a crook or cop who kills someone.

In Big Fan, which opened in limited release last week, Oswalt and Corrigan play a pair of Staten Island buddies who are obsessed with the New York Giants.