Take away The Nutcracker, and what you end up with is profuse sweating, retching, agitation and massive irritability. Guess what? That time for rehabilitation is coming. Why?
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This piece was created by a Flemish/Dutch choreographer, but watching it in the U.S., Co(te)lette elicits a physical response to the fact that women are under open attack, here.
Is the future of American dance to be a farm system for companies overseas, and if this is the start of a trend, are we equipped to reverse it?
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