The broader point to be discussed is this: we have transitioned away from a paradigm where newspaper critics act as the gatekeeper between art and audiences to a new reality where algorithms perform that function.
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Take away The Nutcracker, and what you end up with is profuse sweating, retching, agitation and massive irritability. Guess what? That time for rehabilitation is coming. Why?
This piece was created by a Flemish/Dutch choreographer, but watching it in the U.S., Co(te)lette elicits a physical response to the fact that women are under open attack, here.
Is the future of American dance to be a farm system for companies overseas, and if this is the start of a trend, are we equipped to reverse it?
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