Critics and movie nerds love to poke fun at an actor's early career endeavors and few have held back in pointing out Aniston's role in Leprechaun. It is an easy target. Even Aniston herself had the foresight to recognize the film for what it was.

Though Ray Winstone has been a TV star in Great Britain since the mid-1970s, a lot of Americans got their first sighting of the beefy British actor with Gary Oldman's 1997's Nil By Mouth or 2000's Sexy Beast.

For all the horrible damage done by Boston gangster Whitey Bulger, there is at least one beneficiary of the madness: "Twilight" and "Nurse Jackie" sta...

Unless it's chapter five of a franchise like Transformers, or lame remakes of classics like Arthur, nobody on the business side in Hollywood has a clue of what to do.

Inception takes us through a meandering morass that had me looking at my watch several times throughout its overlong two hour and twenty minute length.

Shutter Island pushes our conception of Scorsese to the brink. It tests him, proving that he has what it takes to navigate through the film's several time frames and planes of consciousness.

Having done his penance in movie-star jail (as they say on Entourage), Mel Gibson comes back, doing what he does best: getting down, dirty and vengeful.

The Golden Globe awards are often the best of the awards shows, because they're more freewheeling and it appears no one really takes them seriously.

Here's hoping Leo and Kate do many more films together. But for now, let's celebrate their careers to-date with a sampling of their more interesting, lesser-known work, both pre-and post-Titanic.

Due to the fact that the top two films (Ice Age: Dawn of the Dinosaurs and Transformers: Revenge of the Fallen) are literally tied at $42.5 million, I'm ignoring the rankings and just concentrating on the numbers.

Movies for grownups seem to be in trouble. You can't pick up a newspaper without reading another article about the new studio decree: They're not making adult dramas anymore.

2005 -- for Best Picture, give me Capote over Crash any ol' time. Another uninspiring year, I thought.

Revolutionary Road plods ever forward to the final fade out, but it still encompasses some wonderful moments and makes us look forward to the next pairing of Leo and Kate.

More than any other director I can think of, Scorsese is totally, 100% committed to the art of cinema, the classic example of someone doing what he's best at and what he loves. This is a man gloriously consumed by film.