Rupert Holmes: Well, it's reassuring to know that Phase Three of my Ninety-Year Plan for "The Pina Colada Song" has happened precisely as I planned it. But of course, my life won't be complete until I achieve Phase Four.
Everything about the show is so likable. I left Gentleman's Guide to Love & Murder having had a perfectly pleasant time with a pair of talented new theatre-writers, in the company of a delightful cast. But rousing? No.
For Buckley playing a female impersonator in Drood was pivotal. Not only did she earn a tony award, the part would lead to a longstanding fascination with singing classic standards that were written for men.
While this exuberant, interactive, choose-your-own ending musical may be a bit vulgar, it is also skilfully directed, joyously performed and a darn good time in a season of unimpressive musicals on Broadway.
Whether singing, dancing or acting, not a man or woman among the ensemble submits less than an effervescent performance. Rivera, who knows every trick in her personal book, gleefully pages through it. Chase is amusingly dastardly.
"I enjoy getting out in front of the crowds every single night, I enjoy seeing their faces light up and having a good time out there and seeing the smiles on their faces. That's what gives me a thrill now, just getting up there for the live action and just performing."