If Terrence Malick's The Tree of Life was too much the dialogue-driven, story-heavy film for your liking, you'll probably be more in the mood for his latest, To the Wonder, which features Ben Affleck, Rachel McAdams and Olga Kurylenko in its cast.
It's as simple as this: If you've got a play called The Heiress, it's absolutely obligatory that whoever assumes the eponymous role is utterly persuasive. Unfortunately, that's not the case at the Walter Kerr.
Mindless kiddie fare opens at around four thousand screens across the country. When at last a brilliant, provocative film for grown-ups gets produced, it merited four screens. Doesn't this strike you as just a trifle lopsided?
Eminently lyrical and rapturous in the cinematic manifold that it kaleidoscopically brings into and out of focus onscreen with each turn of the Terrence Malick lens, Tree of Life is one of those singular cinematic milestones.