Like most kids of the Reagan generation, before social media and smart phones or Oval Office trysts, I grew up collecting comic books. I was collecting at a time when comics where heroic, a-sexual, safe, and non-ambiguous.
A few nights prior I ran into Simone Gad in the gallery district of Los Angeles' Chinatown while out with an art world friend. I knew Gad as an artist and an actress with history behind her in both of those careers.
In Moses' convex and concave artworks there is a hallucinatory cartography in his flow paintings that Moses painstakingly conceives in his studio. This also involves the laborious process of keeping fly's and bugs off his paintings during the drying process.