We checked out this year's slate, but before we can smugly tell our friends, "Yeah, I saw that before anyone else -- at Sundance," we broke them down into categories and predicted the "buzzworthiness" that each would have this year.
Almost as soon as movies could talk, they were making films about the gangsters who came to prominence by supplying liquor to thirsty Americans who didn't believe in the nanny-state laws against alcohol known as Prohibition.
"The superheroes we have today are modern American folklore," Michael Uslan told me, " it's contemporary mythology. The ancient gods of Greece, Rome and Egypt still exist only today they wear spandex and capes.
The Dark Knight Rises is very impressive and definitely worth seeing, but without a once-in-a-lifetime performance like Ledger's Joker to provide the pulse, we'll have to be content with a final chapter that certainly delivers, but in a trilogy that peaked in the middle.
Despite a top-flight cast, impeccable production values, and a number of emotional beats that genuinely work, The Dark Knight Rises doesn't stand up to scrutiny and it pales in comparison to what came before.