The time and space dedicated to discussion about the intersection of film and digital technology at this year's Tribeca Film Festival is greater than ever.

One might say transmedia is where the rubber meets the road for visual storytelling in the 21st century. In 2011 we had many posts from experts who can really define transmedia.

Through his unconvential documentary Ultrasuede: In Search of Halston, director Whitney Sudler-Smith explores the exciting rise and devastating fall of America's first real celebrity designer.

Don't Go in the Woods is kind of hard to pin down -- there's not much to compare it too -- but it's a fun ride, with the loose feel of a campy B-horror-movie from decades past, with twists and turns and jumps galore.

My Reincarnation shows how a well-executed crowdfunding campaign can be used to maximize distribution.

As his 10th feature film hits VOD, the indie pioneer talks about marriage, distribution, and his "puzzling" way of making movies.

Mullen, who did triple-duty on the film -- actor, producer, and soundtrack supervisor -- recently talked to us about his "baptism by fire," his acting method, and what it was like to work with an icon.

The first edition of this international, audience-focused festival -- a showcase for prize-winning films from around the world -- went off without a hitch.

From its inception, the sprawling, tender novel seemed tailor-made for a cinematic adaptation, and the result on screen is an intimate portrait of a lifelong relationship.

The "Best Movie Not Playing at a Theater Near You" opens Friday: Littlerock is the latest low-budget, high-aesthetic movie to display how small-budget cinema can still be formally ambitious.

At our first screening I remember looking up at the Art Deco marquee and seeing the title of our latest film, For Lovers Only. At that moment, I realized our title implied an exclusivity, like a "members-only" club.

With so many action movies and shoot-em-ups, it's nice to find some respite with a good old-fashioned noir, one focused on characters in one charismatic location.

Facing your inner demons is necessary if you are going do this type of campaign. Believe me, crowd-funding certainly pushes those buttons, but it also requires you to let go and not listen to your ego so much.

From TFF 2011, Amplify the Message panelists debate if websites have gone the way of the dodo. If they have, what's next? By Katharine Relth We return...

By Katharine RelthDuring the 2011 Tribeca Film Festival, several unique conversations in the Tribeca Talks: Industry series were organized as a way ...

For New Yorkers of a certain breed, a peek inside The Times is selling point enough. But when you throw in an exploration of the dogged rumors of the demise of the printed newspaper, you've got something for everyone.

For their upcoming indie film, The Power of Few, filmmakers Q'orianka Kilcher and Leone Marucci have engaged a participatory audience from pre-production onwards.

In the spring of 2009, a dozen American and international comedians and I set out for the Middle East on a four-country comedy tour. What we embarked on was groundbreaking, to say the least.