Making Don't Stop Believin': Everyman's Journey
Three days before the premiere, my producers and I sat in a dark studio in a post-production house in NY and watched the final color-corrected, sound-mixed version of the film. When the lights went up after the screening, we were all a little shell shocked; we looked at each other as if to say "what now?"
Ramona Diaz | Posted 04.20.2012