Movies must translate a story to an entirely different medium, and that always means changes. More often than some would like to admit, changes are also needed, in many cases, to find a sufficiently-large audience.
It's every screenwriter's nightmare. To be in the office of one of Hollywood's most powerful producers, pitching all of your script ideas. Only to then have that mover-and-shaker repeatedly say "Nope. Not interested." But that's exactly what happened back in 2009 to poor Mitchell Kapner.
Beauty and the Beast is back, and Cinefantastique Online's Steve Biodrowski, Lawrence French, and myself have strapped on the 3D goggles to determine whether the film prospers or suffers from the tweaking.