Sometimes, when you're interviewing an actor in support of his new movie -- in this case, the English actor Matthew Goode of "Stoker" -- all you want ...

So Vertigo -- a 1957 flop that was greeted with bad reviews ("another Hitchcock-and-bull story") -- is now apparently the greatest film every made.

Watchmen's capitalization proceeds in earnest, and with renewable controversy, in Minutemen, Darwyn Cooke's Before Watchmen prequel series opener. But perspective is everything.

Malin Akerman realizes that there are critics of her performance of Silk Spectre II in "Watchmen," Zack Snyder's adaptation of Alan Moore's graphic no...

There is a place for "mature content" in comics and it may even be in some of the more mainstream titles. And DC Comics certainly has the right to play around in the Watchmen universe if they so choose.

Steve Biodrowski and Dan Persons narrowly avoid a sucker punch to the solar plexus as they dodge and feint their way through an examination of Zack Snyder's new CGI-laced fantasy action pic.

Sucker Punch takes a shot at our ideas about who we think we are. Director Zack Snyder makes you think it's about sex. But it's not, it's about integration: personal accountability, maturity and moving forward.

If you're looking for Sucker Punch to make sense - or do anything else that seems conventional or that you've seen before - see another film. Zack Sn...

In its finale, Supernatural delivered not only one of the finest hours of network television of 2010, but it also supplied one of the most intellectually and satisfying closures any sci-fi or horror series ever broadcast.

O'Day was never a household name in the way Ella Fitzgerald or even Billie Holliday were. Except to jazz fans: she was a stylist and innovator who could transform a song.

The movie year has reached the halfway mark -- which, in terms of the Oscar and most critics' year-end 10-best lists, means it hasn't even started.

This will not be the last turf war that is waged over IMAX screens, and the company is already taking steps to theoretically insure that there is plenty of IMAX for every studio's overbudgeted sequel.

Is the era of the dark comic book movie fable coming to an end? Or is it more a matter of a spate of seemingly underperforming dark would-be blockbusters?

Fast & Furious has grossed $72.5 million over three days. Universal smartly sold it as a class reunion of sorts and also as a 'true sequel' to the 2001 original.

To those who flocked to see Watchmen the first weekend, expecting a typical superhero popcorn flick, it doubtless confused and angered them, poisoning word of mouth.

Well, the bleeding clotted somewhat on Watchmen, with a 'mere' 68% drop in weekend two, ending with $17.7 million. It's ten-day take is now at a trou...