With the Whitney Museum of American Art's new downtown building (set to open in 2015) dubbed the "Whitney of the Future," we asked a few up-and-coming artists what they thought the future of art entailed. What they came up with sounds pretty darn exciting to us.
I went to the Whitney Museum of Art to partake in one of their latest offerings, Blues For Smoke, a saucy gumbo of Walker, Hammons, Whitten, O'Grady, among many others. The exhibition serves a mostly-brown stew, bubbling over with work tucked into nearly every corner.
It's an ordinary white garage door, but when Lady Pink rolls it up, the eyes, surprisingly, are assaulted by a kaleidoscope of color. In this space, which was built to house two cars, Lady Pink, The Grandmother of Graffiti, makes her studio.
Nobody, it seems, has a bad thing to say about Wade Guyton these days. Critic Roberta Smith called the artist's current mid-career survey at the Whitn...
Yayoi Kusama has certainly been upholding her moniker as the polka-dotted queen as of late, imposing her reign of fantastical dots on New York these p...
Short, sweet, straight-to-the-point, and sometimes a little Zen-like, here are American popular culture artist Kenny Scharf's takes on collaboration, failure, and compromise.
Yayoi Kusama, Fireflies on the Water, 2002. Mirror, plexiglass, 150 lights and water, Overall: 111 x 144 1/2 x 144 1/2 in. (281.9 x 367 x 367 cm), a...
A sense of humor is a good thing in life and in art, but with the advent of the internet, the proliferation of misinformation and the spreading of sometimes damaging untruths has become rampant, redundant and sometimes dangerous.
Breaking a promise -- or changing one's mind, whatever you want to call it -- to donate money or objects to a museum (or any other nonprofit institution) is rare, but it does happen, sometimes in spectacular fashion.
As an active participant in Die Brücke as well as Die Blaue Reiter and a professor at the Bauhaus, Lyonel Feininger played a vital role in cultural history of the 20th century as a socio-cultural aggregator.
After years of scrapped expansion plans, the demolition of an historic pumping station and veal warehouse, and most recently, a swanky celebrity gala-...
He may not be in space yet, but New York City is a pretty good alternative. Seven-year-old Matteo Lopez of South San Francisco is spending the weekend...
The title, Step in the Arena, referencing a song by the rap singer Gang Starr, is at once a call to arms and a warning to step into the arena -- where a black man's gift is merely flesh.
For the second part of Whitney on Site: New Commissions Downtown, artist Tauba Auerbach transformed the corner of Gansevoort and Washington Streets in...
After 25 years of false starts, the board of the Whitney Museum of American Art has taken a step that will redefine the 80-year-old institution. It vo...
The High Line is about to get a new neighbor. Nestled next to the southern entrance of the park at Gansevoort and Washington streets, the Whitney's Do...
As expansion efforts go, the Whitney Museum of American Art's record of futility is hard to match. Over 25 years it commissioned six expansion designs...
When the Whitney Museum of American Art's board of trustees meets next Tuesday to formally vote to approve its $680 million expansion into the Meatpac...
It's undeniably a great thing that a woman won for the first time, but probably more surprising that Bigelow made the transition from collaborating on art world films to directing in Hollywood.
There are two types of people Barbara Haskell hopes to surprise with the Georgia O'Keeffe exhibition opening on Thursday, Sept. 17, at the Whitney Mus...