The surest way to kill the aliveness of our characters is by insisting that they always make sense. When we follow the labyrinth of most conversations, we discover one constant: people always want something.
Sometimes the best way to develop a character is to bring the character on stage and let them start talking.
The stage, when you're writing a novel, ...
I was writing dialogue today. I was zipping along, feeling pretty good about things, when I suddenly realized that nothing was happening. My character...