If nothing else, Maleficent serves as a perfect example of why Jolie is one of the most in-demand actors on the planet. Through the sheer power of her personality (with, of course, an able assist from Rick Baker's remarkable prosthetics), she's able to create a character who has equal parts bombast and fragility.
Yes, it's gross. Yes, it's tasteless. But none of that is a problem if you're making some kind of bold social observation, blazing some new trail, or just plain being funny. Instead, A Million Ways to Die in the West feels like lukewarm leftovers from comedies that got there first and did it better.
To its credit, the film does its level best to fix some of the Sony version's most egregious flaws. For one, there's no try at reinventing the wheel with how this most iconic of movie monsters looks. This is unmistakably the same Godzilla that several generations of viewers have come of age with over the past 60 (!!) years.
Draft Day is an above-average entry in the field, and a predictably proficient a piece of popcorn entertainment. While some the broad strokes of the story may be fairly easy to call out fairly early on, it packs in enough "what's gonna happen?" suspense to make the eventual third act pay off worth hanging in there for for.
While I doubt there's enough gas in the tank to mount a franchise that can compete with Fast & Furious (much less match the video games' distance record), Need For Speed is still a satisfying bit of here-and-gone sensory stimulation that delivers exactly the kind of high-octane, high-velocity thrills promised by the title.
Giving the proceedings far more credibility than they really deserve is Costner, effortlessly cool, and clearly having fun with his new action hero configuration. Over the years, I've seen Kevin Costner be pretty good in fairly mediocre movies, and fairly mediocre in pretty good movies. 3 Days to Kill is the former.