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Tamar Chansky

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How To Overcome Performance Anxiety: Don't Think Of It As A Performance

Posted: 05/12/2012 7:20 am

"Whenever you do a thing, act as if all the world were watching." -- Thomas Jefferson

Yikes. Is that a solution, or the DSM-IV definition of social anxiety disorder?

The house lights dim, the stage is dark save for one spotlight, the kind that follows your every move. You stand up to your moment -- your big moment -- to make a difference. OK, so maybe you're just standing up to order your morning coffee. But the words fail you, your tongue ties, and in a fury you find that your jumbled mind has just ordered the nonexistent: double decaf lafté... No! No!, I mean, I meant latté! Double decaf latté! The crowd laughs wildly (in your head). Zap! That made a mistake feeling stays with you for hours. Meanwhile, the imagined audience, who never really noticed in the first place, has moved on to other business of the day, in which, shockingly, you do not play a starring role.

This is good news.

The humble and highly reassuring fact that we should be brushing our teeth with three times a day is that no one cares. Not in that way. Now, if you instead had stumbled and dropped that double decaf "lafté," people would have swooped in to help. Fact is, once you make it past middle school, people mostly care in good ways, in the ways we need. People aren't on the sidelines judging our lives with the clipboard and whistle, and neither should we. Mistakes, hiccups, guffaws, even awkward silences are the order of the day. At any given moment they are happening to millions across the globe. It's not personal, not a deep, permanent flaw: it's just part of being alive.

So, with apologies to Mr. Jefferson: We are the ones who perpetuate the unhelpful view that we are on display and that all the world is watching. But we don't have to. We can instead choose to duck out from under the stage lights and realize that the idea that life is a high-stakes performance exists only in our own heads. And nota bene, if we do insist on focusing on what the audience is seeing rather than focusing on what we're doing, well, chances are we might actually not do as well. You can't be on stage and in the audience at the same time, time travel being what it is these days.

Whether it's "order panic" that beleaguers you, or performances with a higher degree of difficulty, maybe even those with actual audiences who have bought tickets or are missing episodes of Mad Men to see you, know two things: First, you are not alone. Public speaking tops the charts from every fear survey since the beginning of number-crunching time. Second: These moments don't have to be terrible, and could even be enjoyable if you heed one important detail. From athletes to virtuosos, making peace with your audience inevitably comes down to one thing: forgetting they are there. Except at the end, with the applause, at which point, your eyes and your heart should open wide.

Public speaking and other performance situations can breed fear in the hearts of the most decorated men and women, and can set those decorated hearts racing. But the moments that we dread are usually ones that we are supremely qualified to handle, if only the amygdala (the hub of the brain's fight-or-flight system) in an effort to protect us from threat, wasn't actually creating more of it by holding our minds and tongues hostage.

It's not the situation that's the problem -- the task is easily in your range. The problem is your overzealous worry system that has you gearing up for an attack.

How do we turn off the alarms and do our best work? Whether we are asking where the bananas are at the supermarket, asking someone out on a date, or singing Puccini, remember that this isn't about performing and being judged, it's an opportunity to connect on the most basic level. And that's what we all want. And that's what we all do.

Here are five strategies to not let your amygdala ruin your day.

Stay in Your Time Zone: The Present: What's the best use of your time, 15 minutes of catastrophizing or 15 minutes of planning to succeed? When you have an upcoming event, don't project into the future doing the preview and cringe of worst case scenarios that aren't likely to happen, stay in the here and now and do your job. Try something novel, focus on what you actually need to do right now to make things turn out better: practice, get advice, get sleep. This is what athletes do. Putting on their game face doesn't mean focusing on winning or losing, it's warming up, concentrating on their feet, their swing, or their form. So stay in the present and give yourself the gift of being prepared, not scared.

Think Process Not Perfect: When we do an event-in-review in our minds, we freeze frame on what we wish we'd done better or differently, and completely overlook the overall impression we've made based on all those (forgettable to us) moments that worked out just fine. Not every moment is a standalone spot-check of our self-worth. Lower the stakes, not the standards. We aren't judged by single snapshots; we all have those moments that are less than flattering, but we are more than that. The feature-length films of our lives contain the good, the bad, and the ugly, and that total package adds up to something pretty great.

What's Your Mission? How do we forget about the critic? Refocus on why you're there in that moment. So you're going to your first Al-Anon meeting and dreading the introduction. Remember, big picture is that you're there to get support. And the people you're talking to want to give it. Or, at a job interview, anchor yourself with truly what you can see draws you to the job and what you'd have to offer. Giving a fundraising presentation to a parent group? Don't get hung up on the particular choice of words, focus on the meaning -- that's the message. Nothing burns through panic like purpose.

Think the Best of Your Audience and Focus on the Best, Too: OK, let's say you can't forget that your audience is there. Fine. But if that's the case, then remember who they really are. Chances are they are not hungry wolves waiting to attack you, given the fact that they want or need to hear what you have to say. Yes, there will always be the grumpy person here and there, but not every bell tolls for thee. The guy snoring in the front row is tired. The cranky, know-it-all guy in the fourth row was that way before you came along, and will continue to be that way long after you pack up and head home. So as you are looking out at the sea of faces, make good choices. Fix your gaze on the smiling faces who are nodding their heads in agreement or tapping their feet to your beat, rather than the ones that are shaking their heads or busying themselves with their Blackberries.

Finesse the Flaws: I'm OK, You're OK: A grade-school music teacher conveyed one of the most basic lessons of life, as often happens in those tender years: If you make a mistake during a performance, as long as you don't jump up and down pointing to yourself accusingly and have your facial expression or gestures say in so many words "That was me!" then the audience will not even notice. Beyond that, as adults, we can learn how to finesse a mistake to our advantage: Find a humorous excuse and join with your audience rather than seeing them as the madding crowd, say: "Let's try that again," or, "Oh -- this could be a very unfortunate moment, let's all pretend that didn't happen, OK?" Then keep going, and people will see what a cool, well-adjusted person you are who knows full well that a small glitch or stumble over words barely scratches the surface of your vast, limitless self-worth. Or, if you're not quite up for that interpretation, know that you will have totally faked them out. Bravo! Well done.

This concept of leading the way through a mistake was demonstrated to me, unforgettably, a few years ago at a rock concert. Russian-born singer-songwriter Regina Spektor was performing at the Electric Factory, a gritty venue for diehard fans in Philadelphia. In the middle of an amazing show, Regina suddenly forgot the words to the song she was singing. Without missing a beat, she gestured the microphone out to the audience and we were more than happy to fill in. No one was judging Regina at that moment, I'm pretty sure we all felt like her new best friend. Not wanting to merely leave it at Wow, that was a close call!, Regina took that moment to a new destination. At the end of the song, she said, "This is so exciting! I made the biggest mistake of my tour... in PHILADELPHIA!!" The crowd went wild. Yes we were watching, and by dint of a few forgotten lyrics, we all connected in that moment, and it was even more sublime.

For more by Tamar Chansky, click here.

For more on emotional intelligence, click here.

 
 
 

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"Whenever you do a thing, act as if all the world were watching." -- Thomas Jefferson Yikes. Is that a solution, or the DSM-IV definition of social anxiety disorder? The house lights dim, the s...
"Whenever you do a thing, act as if all the world were watching." -- Thomas Jefferson Yikes. Is that a solution, or the DSM-IV definition of social anxiety disorder? The house lights dim, the s...
 
 
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HUFFPOST BLOGGER
Tamar Chansky
08:26 AM on 05/16/2012
Wow, thanks so much for all of these interesting comments. Lots to respond to here. To the point about whether we can control what we are thinking, the point that I would make, which I think someone else did as well, is that we can't control the thoughts as much as we can control what we do with them, or what we do next. We can have lots of different thoughts about a situation, negative/unrealistic ones are best to acknowledge and move on from, otherwise we are borrowing trouble from negative predictions that in the post-game recap, we find again and again, did not come true. Why not have more balance in our predictions-- often things do turn out just fine. Can you imagine how differently we would feel if we thought that in advance?
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HUFFPOST SUPER USER
YogiDarwin
What would Saul Alinsky do?
03:00 AM on 05/14/2012
I overcame my fear of public speaking when I gave lectures to college students by imagining I was talking to just one person in the classroom, a person who was interested in what I had to say and was not overly critical of any mistakes I might make. I also imagined this person was sitting in the back row so I had to project my voice and not mumble. Other people I know joined "Toastmasters" to either get over their fear or to improve their public speaking skills.
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HUFFPOST SUPER USER
Anna Maltese
02:12 AM on 05/14/2012
This article was well-written. It comes along at a very timely point. Thank you for writing it.
10:52 PM on 05/13/2012
The two statements that really caught my attention "Fact is, once you make it past middle school, people mostly care in good ways, in the ways we need" and "Nothing burns through panic like purpose". Really good points.
HUFFPOST SUPER USER
playflute2
flootz
02:37 PM on 05/13/2012
I saw the title of the article and actually thought it might have something to do with performance anxiety (I am a musician/teacher/performer). Oh, well.
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HUFFPOST BLOGGER
Eli Davidson
Award Winning Small BusinessReinvention Expert
11:29 PM on 05/12/2012
What a wonderful post. I will be sharing this with my wonderful community of amazing women up to great things.

One of the fastest ways to build your business is speaking. You have given wonderful tips and tools for those who are intimidated by the thought of stepping into the spotlight.
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09:20 PM on 05/12/2012
I dare anyone here to give me a reasonable and satisfying answer to this question.

Why do 99.999% of the people try to hold up their farts when in quiet public surroundings?
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05:06 PM on 05/12/2012
This article should have been one word. Xanex.
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HUFFPOST SUPER USER
Beaner414
I prefer a microbrew
01:02 PM on 05/12/2012
When one is with the one they love and in a committed relationship performance is not an issue. If sex is what drives the relationship, then don't worry. The relationship is temporary anyway.
12:21 PM on 05/12/2012
Great post. I've always thought: it's not what you're doing, it's thinking that you're being watched and how you will be perceived. When you stop for that split second to think, you throw it all off.
10:15 AM on 05/12/2012
Fairwitness is "pointing" toward it. There is nothing to overcome, no reason to perform. The use of such terms as the underlying core concepts destroys any value to everything else. If you look at things through such lenses your are already defeated. If you understand within the context of the whole, that conceptual house of cards has no meaning. It is beside the point, an excercise in futility.

Of course if you can get to the point of thinking in the ballpark of what I am talking about, you likely won't place yourself in any situation where this even comes up and if it does it won't matter. But that's another story.
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notadumbblonde
Strong and independent
11:23 AM on 05/12/2012
See the irony here? You say that type of understanding has no meaning, yet you provide a post that has no meaning to others, as you stated yourself when you so proudly declared "....If you can get to the point in the ballpark of what I am talking about..."

I don't have a problem with elitists, but I do when they push their elitism onto others.
11:40 AM on 05/12/2012
And I thought I was only presenting an alternative perspective?   I can only come across as elitist and push that upon others if they allow me to in their own mind.  Don't give anyone that kind of power over you.  That's how you can be controlled and never see the trap. The world we live in is built upon this type of manipulation.  Not saying the author is going there.  She is as caught in the trap as your or I.  I just realize it and try to point it out to others.  Sometimes rather obliquely...   Essentially, I am saying the words and concepts we use to provide structure to our lives define us.  At least look closely at them before you build constructs for dealing with the world on top them. 
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fairwitness
Avid Ignoramian
09:10 AM on 05/12/2012
Something about this kind of "think differently and better" coaching bugs me--I'll try to explain:

It seems to me you expect us to have control over our thoughts--all these suggestions on what NOT to think and what TO think--if that's not performance-anxienty-inducing itself (I not only feel embarrassed to have made that mistake, I'm told I SHOULDN'T feel that way and must NOT think that way, but must pretend to feel and be different than I am at this moment...well, you get the picture. The injunction to be different is itself assuming everything IS a performance to be judged.

Thought and feelings happen in any given moment, and to be told to think or feel something else, something "better", creates a false picture of the way thought and feeling happen, assume a controller is in charge and only needs to change the way it controls things to match the ideal it imagines or was told to reproduce. If thought could be premeditated and controlled that way--if I thought about what to think feel and then thought and felt that way, well, it would be like a dithering, self-iterating computer loop, always several steps away from actually being a genuine presence in the world, flaws and all.

That's what I think.
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notadumbblonde
Strong and independent
11:31 AM on 05/12/2012
Feelings are beyond our control, they are produced by our beliefs about any situation; however, our actions are within our control, so we can develop better coping actions to deal with situations instead of alternate coping feelings. There is nothing worse than to suffer anxiety from a situation where you try to change your feelings in midstream, never works.

Disowning any feelings we have is disowning ourselves, learning to accept all our feelings is the best way to better ourselves.

I understand exactly what you're talking about.
12:56 PM on 05/12/2012
There is another point of view, that to a significant degree, we can choose how to react (feel) about things that happen in the world around us. We can decide to view something as threatening or exhilarating or instructive or... or... or. Sure, some situations startle us and evoke a reactive response, if we haven't conditioned ourselves to an alternative response. This kind of self-reprogramming is all the author is writing about. One can "own" their feelings while at the same time take responsibility for those feelings and choose to examine their validity in respect to the external events.