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Thomas Whittaker Kidd
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Entries by Thomas Whittaker Kidd

Thomas Whittaker Kidd on the ImageBlog

(0) Comments | Posted October 11, 2013 | 6:52 PM

SANTA FLYS WITH THE HELP OF THE LOVE OCTOPUS, 18 x 34”, oil on canvas, 2013
The heart shaped suckers at the ends of the octopus' tentacles lift Santa as he flies with dangling ornaments celebrating another gift giving experience.

My Los Angeles solo exhibits were at

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Thomas Whittaker Kidd on the ImageBlog

(0) Comments | Posted July 1, 2013 | 5:33 PM

FALL RIVER-THE QUEQUECHAN TO KAZAKHSTAN, 52.25 x 70.75”, oil on canvas, 2012
Come aboard. Downstream is better where thoughts of the Kazakhstani skinny dippers that ride horseback through the wild marijuana fields are, certainly better than working in a textile mill.
My Los Angeles solo exhibits were at...

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Santa Flys With the Help of the Love Octopus

(0) Comments | Posted June 22, 2013 | 6:23 PM

My painting, SANTA FLYS WITH THE HELP OF THE LOVE OCTOPUS, is in the exhibit Objectified II, at Bleicher Gallery, 1431 Ocean Ave., Santa Monica, CA 90401 (323) 545-6018. The show runs through July 4. Bleicher Gallery
This painting takes us past the uniformed identity of Santa...

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Thomas Whittaker Kidd on the ImageBlog

(0) Comments | Posted May 21, 2013 | 5:17 PM

COMFORT TOOLS, 63x53", oil on canvas, 2012
They adjust the rail riding floatation devices that move above the hanging paint panels. What is an illusion for? The paint material starts us from where we are now and then we decide what to see. The seascape resides on a...

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Thomas Whittaker Kidd on the ImageBlog

(0) Comments | Posted April 21, 2013 | 8:42 AM

Thomas Whittaker Kidd, PERFORMANCE TREE, 68x55", oil on canvas, 2012. The aged New Orleans pavement is alive, moist, yearning, displaying its experience in its cracks and colors. Live music; a moment to live in for a while. My Los Angeles solo exhibits were at ACME and at

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Thomas Whittaker Kidd on the ImageBlog

(0) Comments | Posted March 28, 2013 | 10:39 AM

RELAXING BY SOME GOOD NEWS, 52 x 66", oil on canvas, 2013
The solid, well-described, present young man faces the flow toward the future, undefined at the right edge of the painting. The past decays under the new good news and drips into the stream. The creek alters...

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