The Asian Whizkid's Sibling? The Heartthrob

In a touching conversation over the radio last Friday, Lady Gaga invited Asian Canadian 10-year-old Maria Aragon to perform with her in Toronto on March 3rd. The child had put up a YouTube video of herself singing Gaga's "Born This Way" and gained over 10 million views within five days. Appearances on The Ellen DeGeneres Show and Good Morning America followed.

There has been an explosion of talented pop singers and break dancers among Asian American youth, especially on the YouTube scene in the past few years. In recent months, Far East Movement became the first Asian Americans to hit #1 on Billboard with their single "Like a G6." While mainstream media dwells on Tiger Moms and their Whiz Kids, a new reality and identity is emerging for Asian Americans. Is America ready for the cool Asians?

Just when we start to feel envious about the Whiz Kids' superior academic and virtuosic abilities, we quickly console ourselves that the price they pay is social awkwardness and having no fun. Asian Whiz Kids and their Tiger Moms surely abound. But frankly, this model is rather old. The newer, more interesting strand of Asian American is... the Heartthrob Asian.

They have (loosely speaking) supportive, nurturing parents, and freedom to explore their interests, whether it may be in guitar, hip hop dance, singing, or acting. They excel at being creative, happy, and well-adjusted.

You may have seen cool Asians on MTV's America's Best Dance Crew and Fox's So You Think You Can Dance in dance crews such as JabbaWockeeZ, Kaba Modern, and SoReal Cru. Justin Bieber's backup band is the Filipino American R & B group Legaci. Sam Tsui, a Chinese American singer/pianist/songwriter and student at Yale who's amassed over 85 million views on YouTube, appeared on Oprah and ABC World News. 21-year-old Filipino American singer/guitarist Joseph Vincent Encarmacion appeared on the Ellen DeGeneres show.

Iyaz gave a shoutout on a Youtube video to 21-year-old Filipino American AJ Rafael and friends for covering his Billboard hit "Replay." And of course, there's Bruno Mars who's half Filipino. Harry Shum Jr. of League of Extraordinary Dancers is on Glee. In January, Billboard created a new chart for emerging artists in social media, which was topped by Traphik, a Thai American rapper, and was peppered with Asian Americans.

21-year-old Filipino American guitarist/pianist/singer and YouTube sensation AJ Rafael from Moreno Valley, Calif. received over 50 million views on YouTube; had become 29th most subscribed musician of all time; has over 11 million plays on MySpace; and when he came out with his EP on iTunes album charts, he debuted at 115. (This was on his own, without labels and millions to back him.) His iTunes sales pays his bills.

Talented and charismatic, Rafael performs regularly to packed concerts of screaming teens who know him from YouTube. Last summer, he toured Hawaii, Sydney, Melbourne, and Toronto.

This is what happens at his performances:


What is endearing about him and the other Heartthrob Asians is that they are exceptional, yet very laid back. AJ's first videos in 2006 were piano medleys and a duet with his friend Andrew Garcia (later of American Idol) singing "I'm Yours." In 2007, AJ discovered he had over 1000 subscribers and uploaded more videos.

Then a mother of a teenage YouTube viewer -- Maria Milla, saw AJ's videos and organized two live concerts in Texas called "AJ Rafael and Friends"; 800 came in Houston and 400 in Dallas. AJ's recognition on YouTube has supported his tours and benefit shows for causes such as autism and the typhoon in the Philippines.

Huge crowd performances have sprung up across America and the world for AJ Rafael and group shows of Asian American musicians like him. Over a thousand fans showed up to FAP (Featured Acoustic Playlist), a live show started by YouTube admirers who got their favorite musicians together to perform in San Diego. "International Secret Agents" concerts in Los Angeles and New York in 2010 and 2011 sponsored by JC Penny and Verizon showcased many YouTube star Heartthrobs and were filled to capacity.

The most successful Asian American artists to break into mainstream pop is The Far East Movement who reached #1 in iTunes and Billboard Hot 100 charts for their single "Like a G6." They had built their fan base performing in local shows and clubs to both ethnic dominated venues and mixed audiences in Los Angeles. The Latino community was the first to embrace them, pushing their song "Girls on the dance floor" through the Latin Rhythm Airplay Charts, marking their debut on the Billboard charts. Social media was also a big help.

Kev Nish of the Far East Movement explained that a direct relationship with their fans on MySpace helped them "create a free wired family." On Myspace, "we hit them up, create a relationship, and through that, people show up to your shows."

Although every Asian American musician interviewed emphasized they don't cater their music to any specific demographic, and want to be recognized as an artist first, before being recognized as an "Asian American artist," or ever a "YouTube artist," there is clearly something going on of late with mainstream enthusiasm for Asian American artists and a new Asian American fan base.

Casual viewers on YouTube will see that many of these great performers are friends who hang out and perform together. One naturally asks, how do they all know each other? Mostly dispersed throughout SoCal, they discover each other on YouTube and Myspace. Then they befriend, perform, and collaborate with each other, combining fan bases, and continue fueling their popularity.

Welcome to the new Asian American pop renaissance; a "free wired" community of young Asian American artists producing, inspiring, collaborating, riffing off, and consuming each other's performances, resulting in millions of views, some record-breaking iTunes sales, and real careers and concert tours around the world. When mainstream venues are limited, they band together and create their own.

Chinese-Japanese American electro-jazz cellist Dana Leong, who's played with the likes of Wynton Marsalis, Yoko Ono, and Kanye West, and represented the U.S. in The Rhythm Road Tour sponsored by Jazz at Lincoln Center and the U.S. Department of State Bureau of Educational and Cultural Affairs, headlined the Asian American Music Festival in Los Angeles with his band MILK & JADE. But he admitted he's not used to performing in Asian American Festivals, and has performed more extensively in jazz and rock festivals, where crowds have been diverse. "Even though wide ranges of audiences are expected and welcomed at the Asian American Festivals, I see more Asians of the younger generations proudly welcoming the idea of their brothers and sisters as American icons, performers, actors, artists, and public figures, which I find grounding."

"While creating opportunities for Asian Americans is essential, I can't exactly pinpoint a convincing recipe for an 'Asian American Sound' the way we do for the Latino music, for example. I think the key is to increase awareness amongst the Asian American communities that there's more to music than Asian boy bands and classical music, that a new generation of us are helping to build upon the traditions of American music (Jazz, Hip Hop, Rock & Roll) and Western European traditions (classical, fields of electronic and dance variants), and creating unique sounds."

 

Comments

[78Thomas]

09:19 AM on 03/09/2011

"Asian" is actually much too broad for a cultural word. And I suppose for a person to be considered "Asian" we only mean those with epicanthic eye folds.
Anyways, its about time Asians claimed they're rightful representation in America and the world!
They don't need a calendar month to feel good about themselves.

[feimo]

12:43 PM on 03/07/2011

Hyphenated Asian talents, American or otherwise, have been relocating to Asia over the past decade. It’s not just brain drain from the western hemisphere, as in the tech or finance sectors, but also loss in artistic and creative talents.

It is where their ‘looks’ fit, have greater opportunities in growing their careers and developing a fan base. The reverse migration to an environment where their physical appearance blend in and no longer viewed as a visible minority eliminates racial barriers, places the focus on music rather than ‘Asianess’. They can be assessed based on their talents rather than be part of a sub genre.

[whitemerlot]

03:57 PM on 03/05/2011

I think part of the problem of why it may be more difficult for Asians and (east) Asian-Americans to make it big (although it's too early to tell- most Asians in this country are still first generation or immigrants themselves) is that they don't seem to be promoting much authentically Asian cultural material. Latino music, fashion, performance art, etc. are deeply entwined with native cultures from countries outside of Europe or North America. While a Mexican-American child may learn about mariachi music at family gatherings, and an Indian-American child may be taking sitar lessons, a Chinese-American child is more likely to be learning to play the violin and a Korean-American child might be learning western ballet. Of course these are generalizations, but on average it's probably not too far off. This is all fine; it's only that it probably dilutes the authentic Asian cultural product in the broader American culture. This is likely to lead to fewer Asian "heartthrobs" than is deserved.

[Erewhon7]

01:51 AM on 03/05/2011

Unfortunately,in the Far East rampant piracy destroyed the record industry. It is futile to invest into recording and releasing of albums. Yeah, there's touring. But that's an iffy thing without serious promotion.
The youtube is a sorry substitute for a real artist, most of the stuff that hits is inane bubble-gum stuff.
Itunes rang the final tolling bell for the entire concept album and career development notion, for better or for worse.

[Tenement Funster]

06:40 PM on 03/04/2011

If you want to talk about well reviewed Asians in the U.S. there is jazz pianist Toshiko Akiyoshi and the Japanese new age synthesist Kitaro. How about the Japanese metal band Loudness? Also, the Japanese guitarist Kuni's debut solo record received a fair amount of airplay on KNAC in L.A. when that was still a going radio concern back in the 1980's.

But along with the increasing presence of Asians in youth programs in the U.S. there has also been a longstanding underground interest in Japanese and Korean pop acts thanks to the internet. X Japan, Pizzicato Five and Namie Amuro probably started it and it has moved on to acts like Ayumi Hamasaki, Yui, and the visual-kei band Versailles, among many others. A Korean girl group opened for Miley Cyrus on one of her tours and have a cult following in the U.S.

[clarebere]

06:28 PM on 03/04/2011

"While mainstream media dwells on Tiger Moms and their Whiz Kids, a new reality and identity is emerging for Asian Americans. Is America ready for the cool Asians?"
.. why dwell on any arbitrary titles to plaster on a certain ethnicity? Moreover, the latter part of that statement is ludicrous in its assumption that "cool" or "ready" are adjectives cogent in announcing a type of human-- the New Asian American. This proclamation is nonsensical in that there have been modern musicians and dancers since the 1st wave of immigration. A tribe of young/talented/urban minded individuals (who happen to be culturally Asian living in this country) is garnering notice, as a marketing invention. Excluding the singing prodigy girl mentioned above, certain acts receiving attention have been around for almost a decade, relentlessly performing to establish cred (ex: Far East Movement, LA). Why now term them as some nerdy Asian person's "heartthrob" brothers? That article title is confounding on many levels. BTW what is a "new reality"? Is there newness in something inherently Real?
The artists mentioned just happen to be relevant examples of talent today... please don't push another yellow fever cliche to fuel an already hyper-stereotyped demographic, Ms. Moy.

[TresJolie7]

01:22 PM on 03/04/2011

Filipino guys are sexy!

[Victoria Moy]

10:45 AM on 03/04/2011

Some fantastic Heartthrob moments in no particular order. What are your favorites?

Melissa Polinar- Overjoyed
http://www.youtube.com/watch?v=lLIfTPHnxBo

AJ Rafael, Albert Posis/ Mark Mejia - “Everytime I Close My Eyes”
http://www.youtube.com/watch?v=fYK7WBHmsqM

Napon Pintong - “Miss you”
http://www.Youtube.com/watch?v=I-lfdiGBLzA

Blyss – “Do you remember”
http://www.youtube.com/user/blyssmusic#p/u/2/eC-65HNKZAM

Kat Badar and Friends - “Halo”
http://www.youtube.com/watch?v=V1NCGtWUmrw

Legaci-Just The Way You Are
http://www.youtube.com/user/legaci#p/u/1/02G9Op2adg0

Lydia Paek, Gabe Bondoc- Medley
http://www.youtube.com/watch?v=4lZI--1C7Mw

[CarlyHope]

10:29 AM on 03/04/2011

Dude,

This reads like something from the 50s. Aren't we passed the idea that "Asian" is a culture?

[clarebere]

06:46 PM on 03/04/2011

Totally.

[Jt Tran]

02:42 AM on 03/04/2011

I like to think that I'm doing my bit in accelerating the growth of Asian Heartthrobs by nurturing the desire to pursue curriculum outside of the "normal" career paths. I once had a client who was pressured by his parents to study to be a doctor, but which lead him to hate both his career path and his parents. It was only when he switched to taking up art that he was both happier and more expressive in life. Obviously he had to rectify this with his parents, which he was able to do with both tricky negotiations, but also appealing to their Asian parental pride.

But I'm definitely glad to see more expressive, artistic, and creative Asians getting out there.