Huffpost Los Angeles
The Blog

Featuring fresh takes and real-time analysis from HuffPost's signature lineup of contributors

Yasmine Mohseni Headshot

Beyond the White Cube: Rosson Crow in Black and White

Posted: Updated:

2012-02-15-RC_LastExitToBrooklyn_1copy.jpg

I stopped by Rosson Crow's studio a few weeks ago as she put the finishing touches on a new series of paintings for her upcoming solo show at Honor Fraser. Born in Texas, Rosson got her MFA from Yale and did a residency at Cité Internationale des Arts in Paris before moving to L.A. in 2006. Her paintings, which often pull from historical source material, have an edgy vibe that combines punk rock irreverence with rock star decadence. Minimalist she is definitely not. Same goes for her studio, a space in which I could've easily spent a few hours looking at all of her work (new and old) hanging and leaning against surfaces covered with art books, bumper stickers, magazine clippings and photos galore.

What's always stood out for me is her use of bright and saturated colors. In fact, on display in her studio are a few colorful paintings, which were translated into textile prints for Zac Posen's designs, a high-profile art-meets-fashion collaboration that is now going into its fifth season. Therefore, I was surprised to find a completely different kind of work when I walked in: a new group of powerful large-scale paintings with subdued, earthy and monochromatic color schemes. I very much look forward to seeing all the new work hanging side-by-side in a white cube space.

2012-02-15-IMG_Zac_Posen_3.JPG

Paintings for Zac Posen

Yasmine Mohseni: Tell me about your upcoming exhibition.

Rosson Crow: It is a show about American experiences, layers of history, and how we experience them. It is an attempt to excavate the collective experiences of our historical trauma, and how these events are remembered or misremembered, experienced or imagined, layer upon layer.

2012-02-15-IMG_newspapers_2.JPG

YM: Describe your style.

RC: I think to define an artist's "style" is dangerous. It is something amorphous that is always changing and evolving with you as you grow. The moment you can pin it down, it is time to challenge it. It is important to be fearless as an artist.

2012-02-15-IMG_olderwork_4.JPG

older work above, new work below

2012-02-15-IMG_4508.JPG

YM: Why did you become an artist?

RC: I don't think it was so much a concrete decision, but more of a natural evolution from a creative child to studying art and eventually devoting my life to it.

YM: Which single artwork in art history has inspired you the most?

RC: Gericault's Raft of the Medusa. Life, death, passion, beauty, history and politics... you feel the struggle of life, the drama and the ecstasy of existence, all within one canvas. If I'm allowed a novel, Blood Meridian by Cormac McCarthy. These are works that really get to heart of things, of what matters.

2012-02-15-The_Raft_of_the_Medusa.jpg

Gericault Raft of the Medusa 1818-1819

YM: Which artists (living or dead) do you find most inspiring?

RC: Cormac McCarthy, Caravaggio, Manet, William Faulkner, F. Scott Fitzgerald, Toni Morrison, Bernini, Bronzino, Courbet, Anselm Kiefer, Christopher Wool, Erskine Caldwell, Joan Didion, Georgia O'Keefe, Flannery O'Connor, Gericault, Willem de Kooning, Mark Bradford, John Steinbeck.

2012-02-15-IMG_studioshot_6.JPG

2012-02-15-IMG_4502.JPG

2012-02-15-IMG_4530.JPG

Rosson's exhibition Ballyhoo Hullabaloo Haboob opens at Honor Fraser on February 25, 2012.

My review of the exhibition will be featured in the May issue of Modern Painters.

For more, please click here.

2012-02-15-IMG_4525.JPG

Willie and Rosson