Soft Skull publisher and all-around NYC belletrist Richard Nash recently posted a scathing opinion piece on this site about Book Expo America's decision to limit floor hours (and effectively cancel an opening night party) at BEA 2010. This means that book industry's biggest convention--drawing booksellers and publishers from around the country and across the world--will last a meager two days and have no opening night celebration. Nash was right--it seems like a bad decision. If you're throwing a festival for an allegedly beleaguered industry, how about making changes likely to amp up the enthusiasm of attendees rather than dampen it?
- Ceridwen Dovey, Blood Kin (Viking, 2008)
- C. E. Morgan, All the Living (Farrar, Straus & Giroux, 2009)
- Lydia Peelle, Reasons for and Advantages of Breathing (HarperCollins, 2009)
- Karen Russell, St. Lucy's Home for Girls Raised by Wolves (Vintage, 2006)
- Josh Weil, The New Valley (Grove Press, 2009)
- They kept the focus on authors. By keeping the artists front & center and emphasizing the potential of early-career authors, the NBA fostered a sense of excitement and generated an aura of, it could even be said, celebrity. That's a good thing for culture in general. Better to have a few people more interested in Ceridwen Dovey's next book than Carrie Prejean's next sex tape.
- They had a good space. Brooklyn's PowerHouse Arena is not only a great bookstore but a great event space. It's huge, airy, and complexly laid-out, a vast improvement over last year's cramped, dark, and sweaty space.
- They supplied ample alcohol. A good thing.
- They supported local businesses. All attendees got a ticket for a free meal from Soler Dominican, a street food vendor that was parked right outside the event space to accommodate partygoers. It was good.
Still, as part of a lead-up to the National Book Awards tonight, they could've done a lot worse. Is the publishing industry healthy? As a whole, no. But there's a lot it can still do to stay vibrant.