A RAISIN IN THE SUN
The majority population, most of whom pollsters tell us did not believe Officer Wilson committed any crimes, may believe the country can afford to accept things as they are. People of color -- Black men and their families and those who depend on them cannot afford that luxury. They need us to get this right.
While each of these dramas deals with weighty issues, it's no surprise to hear the audience frequently laughing during the performance. Is it because one man's tragedy is another man's comedy? Or because human beings, in their most fallible moments, are a constant source of wonder and entertainment?
Plucking the dialogue pretty much verbatim from his best-selling book, Steinbeck handily transferred his tale to the stage. Again George and Lennie -- traveling together like the scores of other bindlestiffs scouring California's Salinas Valley (Steinbeck's version of William Faulkner's Yoknapatawpha County) for work -- arrive at a farm for barley bucking activity.
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With Washington's return to The Great White Way in the revival of Lorraine Hansberry's 1959 A Raisin in the Sun at the Barrymore, he does a tremendous favor. Once again, as he did with his limited-runs Julius Caesar and Fences, he brings large audiences--especially African-American audiences--to a theater and to theater in the larger sense.