The San Francisco Opera recently revived John Copley's 1987 production of Verdi's masterpiece (commissioned by Terry McEwen) as part of its 2014 summer season. Not having seen this particular production since it came online nearly 25 years ago, I had looked forward to getting reacquainted with its charms.
Some people simply can't resist the chance to make a bet or the challenge to meet one. Whether that bet involves traveling around the world in 80 days or transforming a poor Cockney flower girl into a woman of poise who could charm the Queen of England, no prize is as delicious as the satisfaction of planning one's triumph.
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