The legendary rock impresario Bill Graham was not a particularly observant Jew. There is nothing specifically Jewish about the bands he worked with, such as the Grateful Dead or the Rolling Stones, or the venues in which he produced concerts, such as at the Fillmore (East and West) and Winterland arenas.
It started with music. For those of us who came of age in the 1960s, music was a transformational force, and so it was with my journey into a career in humanitarian aid. I was first attracted to this work by the famine response in Ethiopia in 1983-85. Unlike other disasters before it, television brought images of what was happening straight into our living rooms, while the global fundraising concert event, Live Aid, got the message out to the world that what was happening was unacceptable.
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