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Bjork's 'Biophilia' Apps: Is This The Model For The Future Of Music?

Bjork Biophilia Apps

First Posted: 10/12/11 01:09 PM ET Updated: 12/12/11 05:12 AM ET

Bjork's iPad and iPhone applications for her album Biophilia are finally here in full. That Bjork is the first to develop an iPad app for an album is both strange and predictable. Strange, considering how old the iPad is in technology years, and predictable for the idea's devirginizer to be Iceland's reigning odd bird (now if Beyonce pioneered it, that would be strange).

Some call Bjork’s app a promotional tool, which of course it is. You have to buy the damn thing to use it. But it’s also a thing of beauty that could -- as Guardian critic Alex Needham notes -- return us to the days of heady listening sessions spent thumbing and re-thumbing through liner notes, without threat of Wikipedia, or Twitter, or any of the other million new points of focus that make music an easy background character these days.

The app's exo-form is a galaxy of 10 stars, for Biophila's 10 songs. Each song is an app unto itself with a shared general structure: a visualization of the song in play, the same for the song’s score, a game made for it, like “Crystalline”s addictive crystal-catching game, and an essay. For an album fixated on biological systems, the app is rightly obsessed with micro-diversity. The animation for “Hollow,” for instance, flies through a DNA chain (hollow itself, naturally), while “Virus” shows a virus attacking a clump of cells -- or "a love story between a virus and a cell," as Bjork’s app developer Scott Snibbe has it (sounds like the kind of guy who gets Bjork). A good number of apps allow the user to make her own music, “Sacrifice” the best-designed of the lot. Considering how cleverly married each song is to its app, and the cross between Biophilia's early stages and the launch of the first iPad, it's easy to imagine a pinching, swiping audience populating Bjork’s brain as she wrote.

As always, there is criticism, and the charges that have stung Bjork enough to explain herself are of elitism. The iPad is neither a cheap nor a necessary tool, nor is it the only tablet on the market. Bjork herself used Lemur and Reactable touch-screens for her album Volta, four years before the first iPad. But to the modern artist, Apple is as much nemesis as it is possible salvation, and Bjork has only fallen into a line that’s already formed. (It turns out even Bjork isn't rebellious enough to snub Apple.) For her part, she insists touch-screens will soon be owned by everyone. Albums and apps, she says, are natural partners, and pontificating on them is "like trying to explain how to dance in an email. If you would just turn it on and do it together, it’d be way easier.

Fair enough. Having explored the app ourselves, we have to admit we’re converts to the dream. Artists could, it seems, take back our attention -- ingeniously -- by using the very technology that’s distracted it. We simply liked the music more after playing around in it. Could this be the next model for the music industry? Or is it a Bjorkian one-off, like the ones before? For those who can’t turn it on just yet -- or perhaps aren’t convinced enough to buy it so they can -- we’ve put together a slideshow preview to take you through the tracks. Click on, and let us know your thoughts in the comments.

All 10 Biophilia apps are available for $10.

CORRECTION: A previous version of this story said Bjork was the first artist to develop an iPhone and iPad album app. While Bjork is the first artist to develop an app that corresponds directly to an album and an iPad app, French band Nouvelle Vague released a promotional app for their album 3 on the iPhone in 2009.

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  • Cosmogony

    <i>"Heaven's bodies/whirl around me/make me wonder"</i> <br>The "Cosmogony" app resembles the welcome screen for the app, which features the different songs as constellations in space, or "heaven's bodies." It's home to an introduction to the entire <i>Biophilia</i> app, narrated by David Attenborough. He explains in his magnificent voice: "Just as we use music to express parts of us that would otherwise be hidden, so too can we use technology to make visible much of nature's invisible world. In <i>Biophilia</i>, you will experience how the three come together -- nature, music, technology. Listen, learn and create."

  • Moon

    <i>"As the lukewarm hands of the gods/came down and gently picked my adrenalin pearls/placed them in their mouths/and rinses all the fear out/nourished them with their saliva."</i> <br>According to its description, this app "connects musical structure, human biorhythms, and cycles of the moon and tides: a chain of musical pearls are played by water washing over them, pulled by the changing phases of the moon." You can either watch these pearls play the music by themselves, or you have the option of controlling them and adding your own layers to the song (tune in around the 30 second mark to see this).

  • Thunderbolt

    <i>"No one imagines the lightshock I need"</i> <br>On "Thunderbolt," your dreams of shooting lightning bolts out of your finger can come true. In the game portion of the app, you can, a.) create lightning bolts with a swipe of your finger, and b.) manipulate those bolts to make different sounds by gliding your fingers across the screen. Tap your finger to create a spark, drag one finger to draw a line of electricity, two to play an arpeggio and more than two for more complex arpeggios. Move your fingers up to change the speed and spread your fingers apart to change the notes. With all this, bear in mind that the songs you can create are not melodious, and mainly sound like variations on lightning bolts. But the aim here is less to make music and more to bring attention to the thunderbolt itself, which Bjork describes as "the most powerful and fantastic natural force that generates sound." (She even used a <a href="http://www.youtube.com/watch?v=4AD6-NepHBI" target="_hplink">Tesla coil</a> as an instrument on "Thunderbolt" to get this across.)

  • Crystalline

    <i>"It's the sparkle you become/when you conquer anxiety"</i> <br>"Crystalline" is the most video-game-like of the apps, a maze of catching crystals that happily brings to mind <a href="http://en.wikipedia.org/wiki/Katamari_Damacy" target="_hplink">Katamari Damacy</a>. As you fall through space, tilt the screen to add crystals to yourself (you are a cube) and bulk up into a larger mass. Apparently there are are tunnels you can unlock and a puzzle to be solved here -- it's implied that the reward is a movement from "emotional rigidity ('anxiety') to openness to others ('sparkle')" -- but we're not quite there yet.

  • Dark Matter

    <i>No lyrics available</i> <br>On "Dark Matter," you touch little orbs to create music as dark matter swirls in the background. When you're in "song mode," you can create patterns on four different levels, and click on the levels to repeat the patterns. The only sounds you have to work with are organ sounds, making this clearly the most Halloween-y of the apps. Bjork, however, refers to "Hollow" as her "halloween song."

  • Hollow

    <i>"Like a bead in necklace/thread me/upon this chain"</i> <br>The visualization on "Hollow" is a mindtrip (especially with the crisp clarity you see it in on the iPad app) taking you through the DNA chain, kind of like a more surreal Magic School Bus. Tune in at the 3:50 point to see a mystery face appear and then disintegrate, and to hear Bjork allude to "a beaded necklace," which is the main metaphor on this track -- she explains in the app: The DNA chain is "like (being) part of this everlasting necklace where you're just a bead on a chain and you sort of want to belong and be part of it and it's just like a miracle." Now imagine Bjork saying that in her Bjork voice.

  • Virus

    <i>Like a virus needs a body/as soft tissue feeds on blood/some day I'll find you"</i> <br> This is a love song in case you thought it was a song about sickness. Turns out, the two are related. Watch as viruses do their job here and attack cells, much like Bjork wants to attack her future lover. In another component of this app (seen around the 30 second mark), you can make viruses bounce around yourself to create what Bjork imagines they would sound like. Viruses have never been so adorable.

  • Sacrifice

    <i>"Why can't you give her room?/respect her spatial needs/I feel you compress her/into a small space/with clairvoyance/she knew what you needed/and gave it to you"</i> <br>This is one of the most creative music-making apps on <i>Biophilia</i>, and should be more intuitive for users than the lightning bolts and orbs we used previously. Here, you can use notes to make sounds. Except this wouldn't be a Bjork project if the notes weren't letters and unrecognizable symbols. Each one is similar to a sound off "Sacrifice," whether it be Bjork's voice saying "you" "give" "her" "room" (an allusion to the song's theme -- "the sacrifice made by women for the sake of love") keyboards, or ambiguous synth noise. One great thing about making music with letters is that you can hear what your name sounds like. Not the most melodious in our case.

  • Mutual Core

    <i>I shuffle around the tectonic plates in my chest/you know I gave it all/try to match our continents/to change seasonal shift/to form a mutual core"</i> <br>While not the most engaging interactive app, "Mutual Core" is one that most literally translates Bjork's concept for the track. She explains: "Earth's geology is transformed into a metaphor for human relationships. Opposing forces of compression and release, central to continent building and to human feelings, are expressed sonically." In the app, you merely bump these plates together to create music, and face some resistance in doing so. It's a simple concept, but it gets the point across. You can, however, adjust the "tectonic resistance" between the plates and bump away sans resistance. As a song alone, "Mutual Core" is one of the best on the album, especially when the changeover kicks in around the 2:00 mark (<a href="http://www.youtube.com/watch?v=OLiYoQEh8d4" target="_hplink">listen here</a>).

  • Solstice

    <i>"When your eyes/pause on the ball/that hangs on the third branch From a star/you remember why it got dark and why it is getting light again."</i> <br>"Solstice" was inspired by a Christmas poem Bjork's friend Sjoin wrote, in which he explains how the four seasons are a result of the earth's tilt, and compares the solar system to a Christmas tree. The app let's you indulge in this image -- you pull strings out of a central sun and flick planets around to pluck the strings. Then create layers by clicking on the four colors in the bottom left corner. In this image, you see our solar system turned on its side into "tree" mode, bringing the Christmas tree analogy into visual focus.

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