Richard Mosse's Majestic, Disturbing Infrared War Photography (PHOTOS)
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For centuries, the Congo has compelled and defied the Western imagination. Richard Mosse brings to this subject the use of a discontinued military surveillance technology, a type of color infrared film called Kodak Aerochrome. Originally developed for camouflage detection, this aerial reconnaissance film registers an invisible spectrum of infrared light, rendering the green landscape in vivid hues of lavender, crimson, and hot pink.
On his journeys in eastern Congo, Mosse photographed rebel groups of constantly switching allegiances, fighting nomadically in a jungle war zone plagued by frequent ambushes, massacres, and systematic sexual violence. These tragic narratives urgently need telling but cannot be easily described. Like Joseph Conrad a century before him, Mosse discovered a disorienting and ineffable conflict situation, so trenchantly real that it verges on the abstract, at the limits of description.
Infra offers a radical rethinking of how to depict a conflict as complex and intractable as that of the ongoing war in the Congo. The results offer a fevered inflation of the traditional reportage document, underlining the tension between art, fiction, and photojournalism. Infra initiates a dialogue with photography that begins as an intoxicating meditation on a broken documentary genre, but ends as a haunting elegy for a vividly beautiful land touched by unspeakable tragedy.
"Infra" will be on display at the Jack Shainman Gallery until December 22, 2011. The Aperture Foundation and Pulitzer Center on Crisis Reporting have also released a hard back monograph of "Infra" here.
WARNING: SOME OF THE PHOTOGRAPHS IN THE SLIDESHOW ARE GRAPHIC