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Rich Ross Resigns From Disney: Studio Head Steps Down A Month After 'John Carter' Bombs

By RYAN NAKASHIMA 04/20/12 07:59 PM ET AP

Rich Ross Steps Down
Rich Ross has resigned from Walt Disney Studios.

LOS ANGELES — Disney movie studio boss Rich Ross stepped down on Friday, taking the fall for at least a couple of over-budgeted bombs as Hollywood shies away from taking risks on big blockbusters.

His resignation comes after two years in a row of nasty March surprises, ironically both having to do with the Red Planet. Last year it was "Mars Needs Moms," a creepy animated movie that lost $70 million. This year, it was "John Carter," a sci-fi action movie set on Mars that resulted in a $200 million loss for Disney.

Ross, 50, said in a memo to staff that he no longer believed his role as chairman of Walt Disney Studios was "the right professional fit."

The move was not surprising to analysts, coming a few months after studio marketing chief MT Carney also departed because of a string of lackluster releases.

Disney CEO Bob Iger, who said last summer that big-budget movies were getting "increasingly more risky," thanked Ross for his years of service.

The Walt Disney Co.'s stock rose 27 cents to close Friday at $42.35.

Disney's most successful movies recently have been made by studios it has bought, including "Toy Story" maker Pixar, which releases "Brave" in June, and Marvel, which will release the much-buzzed "The Avengers" overseas next week.

Under the Touchstone brand, Disney also distributes movies made by Steven Spielberg's DreamWorks production company, including "War Horse."

Fixing problems at the studio is seen as crucial for the company, because movies launch characters that are developed into Disney toys, theme park rides, books and video games. For example, "Cars Land," an attraction based on the Pixar movies, will open at Disney California Adventure in June.

"For Disney, it feeds a lot bigger value chain," Sanford C. Bernstein analyst Todd Juenger said. "This is a more significant move for investors of Disney than it would be at other companies."

Although some of Ross's troubles stemmed from films put into production by his predecessor, Dick Cook, analysts said his inability to prevent big losses was what led to his exit.

"At some level he takes responsibility for not fixing them or shutting them down," Needham & Co. equity analyst Laura Martin said. "They need to lower the risk of entry and build franchise films from that base. Not go all in, hoping it works out."

Part of the estimated $250 million budget on "John Carter" can be attributed to the notion that the movie could become a multi-part series, as it was based on a trove of books by the late Edgar Rice Burroughs. The series began with "A Princess of Mars" in 1917 and carried through to the posthumously published "John Carter of Mars" in 1964.

The movie starring Taylor Kitsch had a budget that rivaled what 20th Century Fox spent on "Avatar."

But "John Carter" made only $269 million at box offices worldwide while "Avatar" took in $2.8 billion. After splits with theater owners and marketing expenses, Disney has said "John Carter" would cause a studio-wide loss of $80 million to $120 million in the January-March quarter.

Ross had taken the job just two and a half years ago with a mission to cut costs and develop new hits. He had brought "High School Musical" and "Hannah Montana" to TV audiences when he headed Disney Channels Worldwide.

Ross spent much of his early tenure at the studio cutting costs and canceling projects that weren't seen as important to the Disney brand.

He shut down the San Francisco-area motion-capture facility used to digitally animate Jim Carrey's Scrooge character in "A Christmas Carol," sold the award-winning Miramax label to outside investors, and cut such movies as "20,000 Leagues Under the Sea" and "Wild Hogs 2" from the development slate. Last year, he suspended production on "The Lone Ranger," starring Johnny Depp, until its budget was trimmed.

But those efforts were overshadowed by movies that were released but failed to excite big audiences, including "Prince of Persia," "Prom," "Secretariat" and even "Winnie the Pooh."

Ross told staff in a memo Friday that "the best people need to be in the right jobs, in roles they are passionate about, doing work that leverages the full range of their abilities."

"I no longer believe the chairman role is the right professional fit for me."

Iger wished him well in a statement.

"Rich Ross's creative instincts, business acumen and personal integrity have driven results in key businesses for Disney," Iger said. "I appreciate his countless contributions throughout his entire career."

Ross's resignation is effective immediately. Disney did not name a successor.

A couple possible candidates for elevation at the studio are John Lasseter and Ed Catmull, who together built Pixar from a computer imaging company into an animated movie powerhouse. After Disney's acquisition in 2006, the men have top jobs overseeing animated movies at Pixar and Disney.

The men have helped Disney's animated films move "in the right direction," according to Don Peri, the author of a couple books on Disney animators including "Working with Disney." He declined to speculate on whether they would make good studio heads.

12 Other Big Studio Flops:
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  • "Heaven's Gate," 1980

    <strong>Cost</strong>: $44 million<br> <strong>Worldwide gross</strong> $3.4 million<br> <strong>Total losses</strong>: $40.6 million<br> <br clear="all"> Director Michael Cimino had all sorts of cachet following his Oscar-winning work on "The Deer Hunter." His next feature? This costly mess, which is still synonymous with Hollywood hubris gone mad, 32 years after its release. Like "Cutthroat Island" did with Carolco, this film eventually led studio United Artists to shutter its doors.

  • "Ishtar," 1987

    <strong>Cost</strong>: $55 million<br> <strong>Worldwide gross</strong>: $14.3 million<br> <strong>Total losses</strong>: $40.7 million<br> <br clear="all"> The road to ruin. The Warren Beatty and Dustin Hoffman comedy (from director Elaine May) was rife with post-production woes, which led to bad pre-release buzz. <a href="http://www.filmlinc.com/fcm/ja06/elainemay.htm" target="_hplink">As Mike Nichols</a>, May's former comedy partner, said: "['Ishtar'] is the prime example that I know of in Hollywood of studio suicide."

  • "Cutthroat Island," 1995

    <strong>Cost</strong>: $115 million<br> <strong>Worldwide gross</strong>: $18.5 million<br> <strong>Total losses</strong>: $96.5 million<br> <br clear="all"> The movie that sunk (sorry) both Renny Harlin's directing career and production company Carolco, though who could be surprised? Even Harlin and star Geena Davis knew "Cutthroat Island" -- about a female pirate -- was bad news from the start. "We begged to be let go. We begged that we didn't have to make this movie," <a href="http://www.kcrw.com/etc/programs/tb/tb110912action_director_renn" target="_hplink">he told KCRW last year</a>. "We felt that a pirate movie with a female lead was suicidal, but we were contractually obligated."

  • "The 13th Warrior," 1999

    <strong>Cost</strong>: $160 million<br> <strong>Worldwide gross</strong>: $61.9 million<br> <strong>Total losses</strong>: $98.1 million<br> <br clear="all"> Directed by John McTiernan ("Die Hard") and eventually re-cut by author Michael Crichton (who wrote "Eaters of the Dead," which the film was based on), "The 13th Warrior" was another career-altering bust. <a href="http://www.imdb.com/news/wenn/2003-11-20#celeb8" target="_hplink">The film left such a sour taste in the mouth of co-star Omar Sharif that he retired from acting for four years</a>.

  • "Battlefield Earth," 2000

    <strong>Cost</strong>: $103 million<br> <strong>Worldwide gross</strong>: $29.7 million<br> <strong>Total losses</strong>: $73.3 million<br> <br clear="all"> Based on the book by L. Ron Hubbard, "Battlefield Earth" was one of the worst-reviewed films ever. Perhaps star John Travolta would have had better luck bringing "Dianetics" to the big screen?

  • "Town & Country," 2001

    <strong>Cost</strong>: $105 million<br> <strong>Worldwide gross</strong>: $10.3 million<br> <strong>Total losses</strong>: $94.7<br> <br clear="all"> Thanks to director and star Warren Beatty's meticulous nature, this romantic comedy took three years and millions of dollars to produce. When it was finally released in 2001, audiences didn't care: "Town & Country" was an all-time bust and marks the last time Beatty appeared onscreen.

  • "Pluto Nash," 2002

    <strong>Cost</strong>: $120 million<br> <strong>Worldwide gross</strong>: $7.1 million<br> <strong>Total losses</strong>: $112.9 million<br> <br clear="all"> From "Holy Man" to "Showtime" to "Meet Dave" to the recent release "A Thousand Words," Eddie Murphy is dependable for one thing: box-office washouts. "Pluto Nash" was his most notorious, a $100 million space "comedy" that couldn't even gross $5 million <em>total</em> at the domestic box office.

  • "Gigli," 2003

    <strong>Cost</strong>: $74 million<br> <strong>Worldwide gross</strong>: $7.2 million<br> <strong>Total losses</strong>: $66.8 million<br> <br clear="all"> Jennifer Lopez was right: It <em>was</em> <a href="http://www.youtube.com/watch?v=UZyZbn5baJk" target="_hplink">"turkey time."</a>

  • "The Alamo," 2004

    <strong>Cost</strong>: $145 million<br> <strong>Worldwide gross</strong>: $25.8 million<br> <strong>Total losses</strong>: $119.2 million<br> <br clear="all"> Forget "The Alamo."

  • "How Do You Know," 2010

    <strong>Cost</strong>: $120 million<br> <strong>Worldwide gross</strong>: $48.6 million<br> <strong>Total losses</strong>: $71.4 million<br> <br clear="all"> How do you know this James L. Brooks romcom was doomed for disaster from the start? Look at the budget, which spiraled out of control after reshoots.

  • "Mars Needs Moms," 2011

    <strong>Cost</strong>: $175 million<br> <strong>Worldwide gross</strong>: $38.9 million<br> <strong>Total losses</strong>: $136.1 million<br> <br clear="all"> <a href="http://en.wikipedia.org/wiki/Uncanny_valley" target="_hplink">Lost in the uncanny valley</a>. The Robert Zemeckis-produced motion-capture spectacle, "Mars Needs Moms," was such a costly mistake, <a href="http://www.hollywoodreporter.com/heat-vision/disney-kills-robert-zemeckis-yellow-167415" target="_hplink">Disney canceled the director's plans to remake "Yellow Submarine" in a similar fashion</a>.

  • "Green Lantern," 2011

    <strong>Cost</strong>: $325 million<br> <strong>Worldwide gross</strong>: $219.9 million<br> <strong>Total losses</strong>: $105.1 million<br> <br clear="all"> Despite over $100 million in domestic grosses, "Green Lantern" wound up being a write-off for Warner Bros. Worse, any hope to turn this fringe comic character into a franchise like "Iron Man" -- one that could produce income for the studio for years to come -- was lost. Hal Jordan wasn't kidding about that whole "blackest night" thing.

  • "John Carter," 2012

    <strong>Cost</strong>: $375 million<br> <strong>Worldwide gross</strong>: $282.7 million<br> <strong>Total losses</strong>: $92.3 million<br> <br clear="all"> John Carter of flops. The costly live-action debut from Pixar director Andrew Stanton <a href="http://www.hollywoodreporter.com/news/john-carter-cost-disney-millions-301704">reportedly lost Disney $120 million</a>, this despite grossing almost $300 million worldwide.

  • "Battleship," 2012

    <strong>Cost</strong>: $200-210 million<br> <strong>Worldwide gross</strong>: $300 million<br> <br clear="all"> "Battleship" earned $300 million worldwide, but because of high costs, <a href="http://www.hollywoodreporter.com/news/battleship-universal-box-office-taylor-kitsch-327972">the film reportedly lost Universal parent company NBC $150 million</a>.



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LOS ANGELES &mdash; Disney movie studio boss Rich Ross stepped down on Friday, taking the fall for at least a couple of over-budgeted bombs as Hollywood shies away from taking risks on big blockbuster...
LOS ANGELES &mdash; Disney movie studio boss Rich Ross stepped down on Friday, taking the fall for at least a couple of over-budgeted bombs as Hollywood shies away from taking risks on big blockbuster...
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