ARTS & CULTURE
05/28/2013 07:52 am ET

Jackson Pollock's ‘One - Number 31, 1950' Restored By MoMA

Getty Images

Jackson Pollock’s unconventional working methods — spreading a piece of unstretched, unprimed canvas on the floor of his Long Island studio and then pouring, splattering and literally flinging industrial paints across its surface — have long been part of his myth, performance art executed without an audience.

“On the floor I am more at ease,” he once wrote. “I feel nearer, more part of the painting since this way I can walk around it, work from the four sides and literally be in the painting.”

Read more on The New York Times

CONVERSATIONS