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J.Lo's 'I Luh Ya Papi' Video Attempts To Tear Down Sexism

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Can half-naked men, a yacht and J.Lo's entourage destroy sexism in under six minutes?

Perhaps not, but at a time when Beyoncé is sampling a feminist activist's TEDx talk and Lily Allen is calling out music industry sexism, it comes as no surprise to see another female artist jump on the "cool feminist" bandwagon. Jennifer Lopez's latest music video, for "I Luh Ya Papi," attempts to turn the male gaze on its head with some good, old-fashioned, equal-opportunity objectification.

i luh ya papi

"If she was a dude, they would seriously have her up in a mansion with all these half-naked girls or maybe even in a yacht," J.Lo's backup dancers inform the white, male executive trying to pitch a video shoot at the carnival or the zoo. "Why do the men always objectify the women?"

As J.Lo's ladies imagine a video that begins with the pop star "on the bed with a bunch of naked guys for no reason," the actual video morphs into that fantasy, complete with male crotch and a** close-ups, a yacht party, a sexy personal car wash and lots and lots of washboard abs. It's like giving a big middle finger to the sexual objectification of women in music videos -- and it flips off the establishment with humor, instead of anger.

i luh ya papi

J.Lo's flip of the gender script works as a critique of pop culture sexism in many ways that Lily Allen's "Hard Out Here" fails. The storyline of the video is dictated by the women, and J. Lo's Latina backup dancers never become her props the way that the women of color featured in Allen's video do. Plus, there is something wonderful about seeing a mainstream pop star -- one who has been working within the confines of music industry sexism for decades -- explicitly call out a gender-based double standard.

But the video's empowering undertones really start to fall apart when rapper French Montana (whom one assumes to be J.Lo's "papi" in this scenario) enters the scene. With the entrance of a powerful male character, the scripts are immediately flipped back to normal, as J.Lo's backup dancers stop calling the shots, and are instead put into bikini tops and used as furniture. While men scrubbing down their abs and using their butts to wash J. Lo's car seem absurd, women of color clad in animal-print outfits doing a sexy dance around a fully-clothed male artist just look like more of the same.

i luh ya papi

As PolicyMic's Elizabeth Plank points out: "This is what happens when feminism becomes 'popular.' It's done imperfectly."

So, no, Lopez and her girl power entourage are not destroying sexism. But at least they're acknowledging it. And for now, we'll take what we can get, talk about it and demand better.

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