ARTS & CULTURE

The LOLcats Of Japanese Print Art Have Officially Taken Over

05/06/2015 09:49 am ET

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Utagawa Kunitoshi (1847–1899), Newly Published All Cats, 1884. Color woodblock print; 22 ½ x 16 inches. Courtesy of Hiraki Ukiyo-e Foundation.

For those following the wonderful world of cat art (aren't we all?), we have news for you.

Earlier this year we reported on the exhibition "Life of Cats: Selections from the Hiraki Ukiyo-e Collection," a show highlighting the very real history of felines infiltrating the woodblock prints of the Japanese Edo Period. Yes, from roughly 1615 to 1868 more than a few four-legged friends wound their way into the frames of at least 120 artworks. In the vivid color prints, the cats lounged, they frolicked, they unabashedly ignored human commands.

As we mentioned before, this all happened in an age that predated the Internet's fixation with perma-kittens, cats with eyebrows, and Colonel Meow. Now that the exhibition has passed its halfway point, the Japan Society is rotating out the 45 original artworks on view, and replacing them with 45 fresh ones, on view for the meme-obsessed ever hungry for another anthropomorphized pet. And we have a preview.

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Keisai Eisen (1790–1848), Chrysanthemum from the series Comparison between Beauties and Flowers, around 1838–1844. Color woodblock print. 22 ½ x 16 inches. Courtesy of Hiraki Ukiyo-e Foundation.

On display are the fur balls artists like Utagawa Kuniyoshi and Kawanabe Kyōsai just couldn't leave outside their frames. While 17th, 18th and 19th century ukiyo-e tended toward the elegant and erotic -- from kabuki actors to geisha to never-ending floral patterns -- the Tokyo-based Hiraki collection takes that triple threat and adds whiskers. Cats are fighting infants for a bite of rice, toying with arbitrary pieces of string, and, in more absurd cases, acting as though they are self-sustaining beings living in a feline version of a Smurf village.

This round of "Life of Cats" prints will particularly focus on omocha-e, or toy pictures; those images used to teach children both academic and moral lessons. While the omocha-e were essentially the flash cards of their era, cheaply produced and rarely preserved, the Hiraki Ukiyo-e Collection has managed to save 12 of these rarely seen bits of ephemera.

Beyond the art, the Japan Society has introduced an impressive array of programming aimed at attracting the contemporary fans of cat cafes and Lil Bub videos. The gallery's calendar is filled with an Internet Cat Video Festival screening, an Edo Period cat-themed party, a book club centered on I Am a Cat by Natsume Sōseki, and a Caturday Craft Day aimed at adults who want to make their own Maneki neko -- Japan’s “beckoning cat” figurine. Oh, and we can't forget the Puribooth, Japan's version of a standard American booth, plus "high-tech wizardry and super high-quality photo processing."

Clear your schedules, there's a lot to do.

"Life of Cats: Selections from the Hiraki Ukiyo-e Collection" will be on view at Japan Society Gallery from Friday, March 13 to Sunday, June 7, 2015. The Japan Society has partnered with the ASPCA to donate five percent of all catalogue sales to the organization.

  • Utagawa Kunisada (Toyokuni III: 1786–1865), Mother and Child from the series Modern Contest of Poems, 1859. Color woodblock print; 22 ½ x 16 inches. Courtesy of Hiraki Ukiyo-e Foundation.
  • Utagawa Kuniyoshi (1797–1861), Saint Asane from the series Sixteen Wonderful Considerations of Profit, 1844-48. Color woodblock print 22 ½ x 16 inches; Courtesy of Hiraki Ukiyo-e Foundation.
  • Utagawa Kunisada (Toyokuni III: 1786–1865), Sparrows in Bamboo from the series Collection of Fashionable Pairings, 1831. Color woodblock print; 22 ½ x 16 inches. Courtesy of Hiraki Ukiyo-e Foundation.
  • Utagawa Kuniyoshi (1797–1861), Act Three from the series Parody of Chūshingura, 1848-54. Color woodblock print; 22 ½ x 16 inches. Courtesy of Hiraki Ukiyo-e Foundation.
  • Utagawa Yoshiiku (1833–1904), Act 7 from the series Modern Parody of Chūshingura, 1860. Color woodblock print; 22 ½ x 16 inches. Courtesy of Hiraki Ukiyo-e Foundation.
  • Utagawa Yoshifuji (1828 – 1887), Songs of the Three Cats, 1848-54. Color woodblock print; 22 ½ x 16 inches. Courtesy of Hiraki Ukiyo-e Foundation.
  • Kawanabe Kyōsai (1831–1889), Playing Tag with Daikokuten and the Mice, ca. 1877. Color woodblock print; 22 ½ x 16 inches. Courtesy of Hiraki Ukiyo-e Foundation.
  • Utagawa Kunitoshi (1847–1899), Newly Published Cat’s Games, 1884. Color woodblock print; 22 ½ x 16 inches. Courtesy of Hiraki Ukiyo-e Foundation.
  • Utagawa Kunisada (Toyokuni III: 1786–1865), The Yatsuhashi Bridge of Okazaki, with Bandō Tamasaburō as Izayoi, Onoe Kikugorō III as Usugumo-dayū, and Ichimura Uzaemon XII as Inabanosuke from the series Fifty-Three Stations of the Tōkaidō Road, 1835. Color woodblock print; 22 3/8 x 36 7/8 inches. Courtesy of Hiraki Ukiyo-e Foundation.
  • Utagawa Kunisada (Toyokuni III; 1786–1865), Actors Nakamura Jakunosuke as Senzaki Yagorō, Ichimura Uzaemon XIII as the Monster of Old Cat, Nakamura Shikan IV as Suwa Kazuemon, 1861. Color woodblock print; 22 3/8 x 36 7/8 inches. Courtesy of Hiraki Ukiyo-e Foundation.
  • Miki Suizan (1887–1957), Black Cat, ca. 1920s–30s. Hanging scroll, ink and color on silk; 23 1/8 x 47 ½ inches. Courtesy Penelope Clark, San Francisco.
  • Niwayama Kōen (1869–1942), A Black Cat Under a Tree, 1915. Sugito-e doors; 76 x 32 inches. Courtesy Sue Cassidy Clark.

Earlier on HuffPost:

Life of Cats
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