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Ashley Bouder

Ashley Bouder

Posted: December 2, 2010 03:52 PM

Black Swan, the hot new topic in the dance world, has finally had its premiere in New York. Surrounded by controversy and filled with numerous ballet dancer clichés, there seems to be a lively ongoing debate. I've talked to those who were offended by it and those who loved it. I fall into the latter category. I thought it was absolutely awesome.

We all know those stereotypes of the ballet world: the stage mom, the anorexic or bulimic, the other ballerina out to get your roles, the obsessive perfectionist, etc. They are all represented in this movie to an extreme level. But all these things don't bother me. That is not what the movie is about. This is a psychological thriller about a delusional girl. This is no one's ballet movie. Yes, the main character is a ballerina, but this is about her mind more than anything else. It is hard to tell what the reality is and what she is seeing. It truly sets your head spinning.

On the other hand, this movie and especially the press that goes with it, such as the actor interviews, have given the ballet world much hype lately. And for the most part this is fantastic. I particularly like what Natalie Portman has been saying. In her interview on The Late Show with David Letterman, she talks about injuries and the physical demands of ballet. Letterman seemed awed by Portman's rib injury and this struck me as incredible. I thought, "If you only knew the list of pains I have every morning and the list of injuries I've had in my career!" I've had surgery on one ankle, numerous injections in the other, pulled calves, tears in both hips and a slipped disc in my back just for starters.

The physicality of this profession is incredible, but it is above all else a form of art. And Black Swan touches on that so well. Don't get me wrong, we ballerinas, each and every one of us, is a perfectionist. But to be too much that way can be a handicap and, in its extreme way, Black Swan nails it. There is a freedom that comes with letting go and being on stage. As in life, you can't be serious all the time. In ballet you train, practice, and obsess if only to be able to live on stage. I tell people that there have been some performances where I have never felt so alive in my life. The freedom that comes with that, the freedom to transcend and become what you want is indescribable. But only if you can let go.

In another interview, Portman, whose character in Black Swan is bulimic, touches on another hotbed issue. Particularly in light of the most recent New York City Ballet Nutcracker review from Alistair Macaulay of the New York Times. Yes, I'm talking about the infamous weight comments. It is no secret that many dancers have body image issues. Is it not enough that we hear weight comments from colleagues, coaches, teachers, and directors? Do we have to read them in the newspaper? Especially one that is so popular throughout the world. Whether or not a performing ballet dancer is thin enough for one's taste, those comments do not have to be printed for the world to see. It is just plain mean. Thank you Ms. Portman for sticking up for ballet dancers.

So, I guess I'm encouraging you to go see Black Swan. At its worst the movie is a bunch of horribly overdone clichés. But at its best, where I see it, the movie is a version of real issues taken to an extreme level to prove a point. I won't ruin it for you by telling, but I hope you walk away from the movie, keeping the point in mind. I did.

 

Follow Ashley Bouder on Twitter: www.twitter.com/ashleybouder

Black Swan, the hot new topic in the dance world, has finally had its premiere in New York. Surrounded by controversy and filled with numerous ballet dancer clichés, there seems to be a lively ongoin...
Black Swan, the hot new topic in the dance world, has finally had its premiere in New York. Surrounded by controversy and filled with numerous ballet dancer clichés, there seems to be a lively ongoin...
 
 
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HUFFPOST SUPER USER
libwithaclue
N Y C - L I B - M O U S......
10:02 AM on 12/06/2010
This movie was VERY disappointing. Natalie Portman's idea of acting was having a perpetual grimace on her face from the opening shot to practically the end. If she wins the Oscar for this, than that award has lost all credibility. But what was most disappointing was the (non)dancing. I actually read a review before I saw the movie, where the critic actually had the audacity to compare it to the hauntingly exquisite "The Red Shoes", which is the greatest dance movie of all times (actually, one of the greatest movies of all times, period). BULL! Shooting dancers from the waist up to hide some non-dancing starlet is phony and turned me off the minute they started doing it. I'm actually sorry I went.
03:59 PM on 12/06/2010
You probably didn't get the theme/message from the film.
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HUFFPOST SUPER USER
libwithaclue
N Y C - L I B - M O U S......
06:32 PM on 12/06/2010
Yeah, I most certainly DID get it. They just don't make em like they use to.
02:13 PM on 12/05/2010
It's great to hear a perspective from an authentic artist. Please keep writing!
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southingtonian
"I'm a Capricorn and you can't make me do sh*t.."
04:58 AM on 12/05/2010
It's a different genre, but I am looking forward to seeing if the 'peek' is as true to the life as 'The Turning Point' was.
10:02 AM on 12/04/2010
I'm sorry Ashley, but a ballerina's appearance is a lot of what ballet is all about. Ballet is not opera, where appearance never seems to count. Comments about weight (though, at the time I was not sure that that was Macaulay's intent) are appropriate in an art where the ballerina's line is so important, especially in the Nutcracker pas de deux. Comments have also been written about being too thin, rather than too heavy, mostly regarding Wendy Whelan. Though I would strongly disagree with Macaulay's vision of Jenny Ringer, his remarks regarding a dancer's presentation are appropriate.
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HUFFPOST COMMUNITY MODERATOR
SteveSFM
politically incorrect left-winger
04:49 PM on 12/03/2010
I agree. This movie is absolutely superb.

I need to get my friend who's an ex-dancer to see it. I'd love to hear her perspective.
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HUFFPOST SUPER USER
libwithaclue
N Y C - L I B - M O U S......
10:04 AM on 12/06/2010
Go find and watch "The Red Shoes", than tell me what you think of The Black Swan.
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HUFFPOST COMMUNITY MODERATOR
SteveSFM
politically incorrect left-winger
12:23 PM on 12/06/2010
Um...I'd probably think the same about it, since they're two separate movies.
04:22 PM on 12/03/2010
Ashley,
You describe yourself as a perfectionist, via this statement: "...we ballerinas, each and every one of us, is a perfectionist."
Please don't think me too picky, when I note that the verb for that sentence should be plural-- since the subject of your sentence (ballerinas) is plural. Easiest way to remember this is by eliminating the clause, thus "...ballerinas...are..."
Here, at least, I am on point!
02:41 PM on 12/03/2010
Ashley, I remember seeing you dance Sugar Plum back in the day, at CPYB, where my niece Brianne studied. You were lovely and impressive even then!
First of all, big congrats on getting to write for HuffPo....I come here often and was delighted to see your name in print. Thanks for the insight into both the film and the world it is depicting. I definitely planned to see the film, but was going to wait for the DVD release. Think I'll hit the theater now, thanks to your thought provoking comments. Best Wishes from PA. :)
11:34 PM on 12/02/2010
Thank you for your review. It is very interesting to get your perspective.
HUFFPOST SUPER USER
McMarcia
08:40 PM on 12/02/2010
commenting from Buenos Aires, where I am studying, great article, and yes, I too read the NYT article and raised my eyebrows at the comment of "eating too many sugar plums". Perhaps he meant a sugar shock and dancing frenetically? Not sure, but dancers are not clones, and somehow the standards for men seem to allow them to have various sizes of muscles....but not the women. Keep on dancing (and writing)!
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06:25 PM on 12/02/2010
Great to hear your enjoyed Black Swan. We were dying to see it reviewed from a dancer's perspective, even though, as you point out, the movie is more about the psychological aspects of what Nina is going through than the ballet dancing itself. We also thought it was absolutely awesome - and totally worth queuing up for 2 hours for a return tkt at a special screening here in London!