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Dr. Boyce Watkins

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Slowing Down the Death March of Commercialized Hip Hop

Posted: 03/ 7/2012 4:28 pm

When I recently debated Michael Eric Dyson at Brown University on the problems withĀ mass promotion of violent and misogynist hip-hop music through BETĀ and other media, the response from the public was... well... interesting. Ā 

On one hand, there were those who've been waiting for someone to speak openly about the problems with BET giving awards to artists like Lil Wayne, who has publicly stated that he would shoot old women, kill little babies, and engage in all kinds of other highly destructive behavior (anyone who knows his background and the "keepin' it real" mindset of hip-hop artists knows that Wayne wasn't giving a fictional depiction of the values he promotes).

On the other hand, there were those who felt that the music has very little effect on the psyches of those who listen to it regularly. It's not as if anyone can argue that the worst of hip-hop music (i.e. Lil Wayne, Gucci Mane, Wiz Khalifa) is actually good for our kids. The best that anyone can argue is that the music just isn't that big of a deal.Ā I personally know the music of all of these artists reasonably well (thanks to my kids), and I find them to be very talented.Ā But when I hear Wiz Khalifa endorsing the idea of getting behind the wheel of a car after a night of heavy drinking, I think about one of our YBW Coalition members,Ā Nicole Price, who lost her mother two weeks agoĀ to a 22-year-old brother who got drunk, stole a car and drove through a red light going 80 miles an hour. You can't blame hip-hop for what happened to Nicole's mother, but we are justified in our outrage that corporate America helps to promote the artists who glamorize the choices that lead to such devastation within our communities.

Anyone who has studied psychology understands that the mantras we repeat to ourselves sink into our subconscious in ways that even we ourselves don't notice. Ā If every chorus we recite is built on self-destructive activities, like sexual irresponsibility or violence, we may easily find ourselves becoming de-sensitized to otherwise poor decisions. Those who already lie on the margins of our society (like uneducated black men, too many of whom are an inch away from jail or prison already) are most vulnerable to the messages of artists who encourage thinking that is devoid of responsibility or productivity.

While I stand as a man who is truly a fan of hip-hop (and even Lil Wayne, since the brother is incredibly talented), I personally argue that we should place boundaries on the messages that we allow artists (and networks) to give to our children. Even if BET edits lyrics of Lil Wayne songs when he's on the air, they are still encouraging kids to get online and find out more about his music and providing positive reinforcement for the creation of more psychological poison.

Giving him awards for his destructive messages only serves as confirmation and validation of ideas that are clearly and undeniably dysfunctional. It tells every record label and wannabe artist in the world that the black community is first in line to express sincere appreciation for music that encourages our kids to destroy their lives.

Even good parents can't protect their children from the suicide mission being sold to African American youth -- the stats in our community on STD infection, homicide, financial irresponsibility and education show that the messages are being absorbed loud and clear. While most of these issues existed long before hip hop, the glorification of the very worst we can become has only served to make these problems worse.

If we don't speak up on this issue, no one else will. I'll be damned if I am going to sit and watch our kids continue to grow up believing that it's cool to be ignorant, violent, high, drunk, broke, uneducated and lazy. We must critically assess the music we love and let artists know that we will no longer tolerate the mass promotion of ideas that are hell bent on destroying our kids

Dr. Boyce Watkins is a professor at Syracuse University and founder of the Your Black World Coalition. To have Dr. Boyce commentary delivered to your email, please click here.

 

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When I recently debated Michael Eric Dyson at Brown University on the problems withĀ mass promotion of violent and misogynist hip-hop music through BETĀ and other media, the response from the public w...
When I recently debated Michael Eric Dyson at Brown University on the problems withĀ mass promotion of violent and misogynist hip-hop music through BETĀ and other media, the response from the public w...
 
 
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HUFFPOST COMMUNITY MODERATOR
MizzAfrodite
09:08 AM on 03/08/2012
I’m in my mid 20s. I grew up listening to hip hop, but now with an adult perspective, I cringe when I see some of the song titles in my younger relatives’ ipods and am fearful of the effect of these messages on the value system of the listener. The labels producing the most popular songs nowadays are not named things like Murder, Inc., No Limit, Bad Boy, Death Row, and G-Unit anymore. Rick Ross’ Maybach Music Group and Lil Wayne’s Young Money are just some examples of the new trend in hip hop. P. Diddy just created a new label called Dirty Money. The majority of commercial rap songs today all celebrate highly sexual, highly materialistic lifestyles, and force those on their young listeners as the ideal, happiest way to live. Those types of themes are much more pervasive and insidious because they seem less harmful than violence, and are actually reinforced by American capitalist culture. These hip hop songs are nothing but product placement, ads disguised as music, that, to me, leave the listeners feeling an incredible sense of lack that is meant to drive the listener right to the mall or liquor store or somewhere else to fill the void.
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08:48 PM on 03/07/2012
You can't blame hip-hop for what happened to Nicole's mother, but we are justified in our outrage that corporate America helps to promote the artists who glamorize the choices that lead to such devastation within our communities.

you should really pick a side.

for me it comes down to maturity, a trait that many marginalize. if i am mature enough to diseminate what is expressed in media as art or for that matter whatever the opposite of enrichment is from reality in the world of consequences which we live in; then maybe i can depend on my ownership to shed the debasing content expressed particularly vividly in rap music. i suppose though that it is a different story for those that live in a circumstance that reflects directly what the rappers are articulating

i can think of one solution off the top of my head. what do you propose?
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HTXScarface
Trololol
05:14 PM on 03/07/2012
Did you shoot down my comment Mr. Watkins? Thanks for having an open forum for conversation or debate! /end sarcasm

Bet you are used to not letting a differing opinion speak out.....close minded.
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11:39 PM on 03/07/2012
sarcasm works better when you dont say that you are using it.
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HTXScarface
Trololol
05:05 PM on 03/07/2012
Music is entertainment. Maybe, some self reflection of the artist or reflection of society. Not many artists promote anything bad on any kind of real level. Like Eminem says "If you believe that, well then......"

If you take music too literally, you are not very intelligent in the first place.
HUFFPOST COMMUNITY MODERATOR
MizzAfrodite
09:09 AM on 03/08/2012
I'd estimate that something like 60% of people think that what they see and hear for entertainment is a reflection of life, as in art imitating life. Human beings seek socialization especially in our youth, and many of us reinforce our ideas or behaviors with ideas presented in entertainment and media. Someone who doesn't realize that they are being bombarded daily with conflicting messages and value systems is in for a world of chaos, and that is a lot of people, especially children.
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HUFFPOST SUPER USER
pthesmith
Rising Sun
05:00 PM on 03/07/2012
I think a significant challenge to identifying viable solutions is defining the problem, in this case, establishing the connection between rap music and some of these larger social issues within the black community. If we examine rap music separately, you'd be hard pressed to convince anyone (consumers, producers, awarding organizations) that rap music is a significant contributor to youth delinquency. What about the role of the parent? Some don't have the time, resources, or level of concern to monitor their children's music purchases. What's the point if they can listen with their friends. (I personally think those conversations between parent and child is the best defense at that level). What is the role of the artist? If Lil Wayne is makin' his papers, should we expect him to bear the weight of society's ills? I'm not convinced he cares. What about the record labels? Again, they have to decide to care, and when money's involved...we all know how that goes. Awards? A definite opportunity for improvement.