Stoppard is having a banner revival year in New York. First, the achingly beautiful Indian Ink, now at the Laura Pels, and the upcoming The Real Thing on Broadway.
The playwright, who spent part of his childhood in India, has fashioned Indian Ink as a chamber piece, an intimate story of love, memory and cross-cultural miscues. It's as much a chiding of presumptuous biographers, as it is a study in the sensitivity and caprices of love and time.
Set in the India of 1930, divided between raja and British rule, the play focuses on the lovely Flora Crewe (the exquisite Romola Garai), a sensual poet who was painted by Modigliani and enthralled H.G. Wells. In Jummapur, India, she draws the attention of painter Nirad Das (Firdous Bamji), and their relationship, at once gentle, teasing, flirtatious and caring, is rendered with great sensitivity.
As the play moves back and forth in time, between 1930 and the 1980s, her sister Eleanor (Rosemary Harris) and an enthralled academic (Neal Huff), piece together Flora's legacy, via her letters. Suddenly, memory and moment come alive. Dismissed in her lifetime, Flora Crewe is now worshipped in university circles.
As Pike looks to prove his own cultural assumptions, Stoppard zings both the admirer's biases, as well as the inability of paintings or letters, however attentively deciphered, to fully capture the enormity of a singular life.
And Flora is a captivating subject. She's outspoken and opinionated, describing Gertrude Stein as "poisonous old baggage who's traveling on a platform ticket," while chiding Das' excessive politeness as "too Indian." Of course Das, like many Indians of the period, are enamored of all things British, while proud of their own heritage. The quest for identity, alongside colonialism and cultural taboos, is dissected with a careful eye.
The entire cast is pitch-perfect, especially Garai and Bamji, who possess a subtle chemistry. Director Carey Perloff has smartly fashioned Indian Ink of a piece: Robert Wierzel's lighting, Neil Patel's simple but evocative set, and original music by Dan Moses Schreier enhance Stoppard's hugely seductive tale.
On the musical front, Australian actor John R. Waters, with a strong assist from Stewart D'Arrietta, brings his version of John Lennon's artistry to Lennon Through A Glass Onion. The show, now at the Union Square Theater, has been a touring mainstay for the two for 20 years.
The premise: Lennon as aging rocker ruminating on his past; there's no through line or chronology. He just muses on fame, religion, revolution and Yoko -- alongside 34 of his beloved songs, such as "All You Need Is Love," "Revolution," "Nowhere Man" and "Woman." The effect, however, is more rueful than raging. The real John Lennon, evident in snarky, occasionally hostile interviews, often came across as the quintessential angry young man. Yet, he was also charming, wickedly clever and compelling -- and it's difficult to capture such a potent brew.
Waters dons a Liverpool accent, and recreates Lennon (and McCartney) classics, but in a voice more reminiscent of Dylan than the provocative Beatle. Admittedly Lennon is a tough act to follow, which makes Through A Glass Onion, though sincere, hard to pull off.
For pure visual entertainment Cirque Alfonse offers Timber!, a quirky, feats-of-strength show now at NYU's Skirball Center. Image rugged Canadian lumberjacks engaging in gymnastic hijinks with abandon. Axes, bottles and saws are props for this down-home circus troupe.
Timber! is a song-and-dance extravaganza; it employs French folk music, thrilling acrobatics and a wild and crazy ride through a family farm. It's the natural world -- tree stumps, pine logs -- that inspires this talented, zany group.
Their energy and strength is impressive; there's even a sassy whip scene that keeps the action moving. While the bathroom humor could be excised, and the pacing a bit slow at the start, Timber! quickly becomes a night of aerial, eye-popping fun.
Our 2024 Coverage Needs You
It's Another Trump-Biden Showdown — And We Need Your Help
The Future Of Democracy Is At Stake
Our 2024 Coverage Needs You
Your Loyalty Means The World To Us
As Americans head to the polls in 2024, the very future of our country is at stake. At HuffPost, we believe that a free press is critical to creating well-informed voters. That's why our journalism is free for everyone, even though other newsrooms retreat behind expensive paywalls.
Our journalists will continue to cover the twists and turns during this historic presidential election. With your help, we'll bring you hard-hitting investigations, well-researched analysis and timely takes you can't find elsewhere. Reporting in this current political climate is a responsibility we do not take lightly, and we thank you for your support.
Contribute as little as $2 to keep our news free for all.
Can't afford to donate? Support HuffPost by creating a free account and log in while you read.
The 2024 election is heating up, and women's rights, health care, voting rights, and the very future of democracy are all at stake. Donald Trump will face Joe Biden in the most consequential vote of our time. And HuffPost will be there, covering every twist and turn. America's future hangs in the balance. Would you consider contributing to support our journalism and keep it free for all during this critical season?
HuffPost believes news should be accessible to everyone, regardless of their ability to pay for it. We rely on readers like you to help fund our work. Any contribution you can make — even as little as $2 — goes directly toward supporting the impactful journalism that we will continue to produce this year. Thank you for being part of our story.
Can't afford to donate? Support HuffPost by creating a free account and log in while you read.
It's official: Donald Trump will face Joe Biden this fall in the presidential election. As we face the most consequential presidential election of our time, HuffPost is committed to bringing you up-to-date, accurate news about the 2024 race. While other outlets have retreated behind paywalls, you can trust our news will stay free.
But we can't do it without your help. Reader funding is one of the key ways we support our newsroom. Would you consider making a donation to help fund our news during this critical time? Your contributions are vital to supporting a free press.
Contribute as little as $2 to keep our journalism free and accessible to all.
Can't afford to donate? Support HuffPost by creating a free account and log in while you read.
As Americans head to the polls in 2024, the very future of our country is at stake. At HuffPost, we believe that a free press is critical to creating well-informed voters. That's why our journalism is free for everyone, even though other newsrooms retreat behind expensive paywalls.
Our journalists will continue to cover the twists and turns during this historic presidential election. With your help, we'll bring you hard-hitting investigations, well-researched analysis and timely takes you can't find elsewhere. Reporting in this current political climate is a responsibility we do not take lightly, and we thank you for your support.
Contribute as little as $2 to keep our news free for all.
Can't afford to donate? Support HuffPost by creating a free account and log in while you read.
Dear HuffPost Reader
Thank you for your past contribution to HuffPost. We are sincerely grateful for readers like you who help us ensure that we can keep our journalism free for everyone.
The stakes are high this year, and our 2024 coverage could use continued support. Would you consider becoming a regular HuffPost contributor?
Dear HuffPost Reader
Thank you for your past contribution to HuffPost. We are sincerely grateful for readers like you who help us ensure that we can keep our journalism free for everyone.
The stakes are high this year, and our 2024 coverage could use continued support. If circumstances have changed since you last contributed, we hope you'll consider contributing to HuffPost once more.
Support HuffPostAlready contributed? Log in to hide these messages.