Freedom is one of the most important prerequisites of artistic excellence. 2011 was distinctive for producing a number of critically acclaimed films that celebrated the history of the arts and of the cinema itself - from Martin Scorsese's Hugo and Michel Hazanavicius' The Artist, to Werner Herzog's Cave of Forgotten Dreams and Woody Allen's Midnight in Paris. Yet filmmaking never takes place in a vacuum, and these superb, literate films - which value knowledge, humanity, and civilization - are nonetheless the outgrowth of a free society, and would have had difficulty being made under circumstances of political tyranny.
It's therefore worthwhile to celebrate the notable movies of 2011 that took the risk of advocating for democratic freedom, the political principle that makes so much film artistry possible. Some of these are foreign films created under the most difficult circumstances, while others are mainstream Hollywood productions made within the freedom of democratic society. Whether spectacular or intimate, tragic or comic, these films dramatized to audiences around the world the importance of liberty. With the revolutions of the Arab Spring, citizen protests in China, and the recent democracy demonstrations in Russia, 2011 was a remarkable year for democratic action and this year's pro-freedom films often reflected this.
Given that many of these are foreign or independent films with multi-year releases, we thought it fair to include films that had their first theatrical or DVD release in the U.S. in 2011, or that screened in a U.S. film festival in 2011. Also, this is merely a list - not a ranking - so please consider each film on this list to have its own unique value.
1) This is Not a Film - Jafar Panahi and Mojtaba Mirtahmasb, Iran
This is Not a Film depicts in heartbreaking detail the house arrest of acclaimed Iranian filmmaker Jafar Panahi, who was accused in 2010 of making a film critical of the Iranian government. Panahi vehemently denies the charges, yet he currently faces six years in jail and a twenty-year ban on filmmaking. Nonetheless, in This is Not a Film Panahi not only documents his own house arrest, revealing how the banal details of daily confinement can crush the human spirit; he also reveals how the creative impulse can survive even the most repressive circumstances, and inspire hope.
2) The Way Back - Peter Weir, U.S.
Starring Ed Harris, Colin Farrell, Jim Sturgess, and Saoirse Ronan and directed by Peter Weir, this epic and moving film based on real events tells the story of a group of Polish, American, and Russian political prisoners who escaped from a brutal Soviet gulag in 1941 and walked 4000 miles from Siberia to India and freedom. An extraordinary paean to liberty, The Way Back's courageous protagonists repeatedly affirm their willingness to die in freedom rather than live out their lives in the slavery of Soviet communism. The film's concluding montage depicting the events of the Cold War is a long overdue acknowledgment from Hollywood of how the fall of European communism freed millions of Poles, Czechs, Russians, and Eastern Europeans.
3) The Help - Tate Taylor, U.S.
The civil rights drama The Help reveals how the struggle for freedom is equally urgent when it comes to racial equality in America. With gripping performances from Viola Davis, Octavia Spencer and a powerful ensemble cast, The Help portrays the plight of African-American women who labored as house maids in the American South of the 1960s. The Help depicts the daily humiliations and injustices that grind down the human spirit and that form an 'internal prison' of despair that can be as destructive as any war, or act of violence. Taking place within recognizable domestic circumstances, The Help shows that our respect for civil rights in America is as important as our fight for human rights around the world.
4) Petition - Zhao Liang, China
A member of the 'Digital Generation' of independent Chinese documentarians, Zhao Liang depicts in Petition the Kafkaesque struggle of the Chinese people for justice from their own government. Petition follows real citizens, often poor and powerless, who travel from all across China to Beijing to petition the government for redress against local injustices. Zhao Liang goes into the petitioners' shanty towns to hear their tragic tales of official malfeasance: unlawful imprisonment, confiscations of property, torture and death at the hands of local authorities. The petitioners wait months and sometimes years for their cases to be heard, and in the meantime eke out miserable existences in cardboard hovels on the sidewalks of Beijing. Following on Zhao Liang's powerful Crime and Punishment, Petition is essential viewing for anyone who wishes to understand the abysmal state of human rights in communist China.
5) The Red Chapel - Mads Brügger, Denmark
In one of the bravest films in recent memory, director Mads Brügger and Danish-Korean comedians Simon Jul Jørgensen and Jacob Nossell risk their lives traveling to North Korea to tweak/punk that nation's tyrannical communist regime. Ostensibly visiting North Korea for the purpose of putting on a Danish socialist comedy show as an 'inter-cultural exchange,' the filmmakers' true purpose is to document the censorship and inhumanity of the North Korean government. Referring to the communist dictatorship as "the most heartless and brutal totalitarian state ever created," Brügger and his comedians repeatedly make fools of the authorities in this blackly satirical, poignant and insightful documentary. All the more relevant after the demise of Kim Jong Il, The Red Chapel follows on the heels of North Korea-themed films like Kimjongilia, Yodok Stories, and The Juche Idea in illustrating how the cinema can advocate for freedom by exposing tyranny.
6) Transformers: Dark of the Moon - Michael Bay, U.S.
Big summer popcorn movies are still some of the most effective (and entertaining) ways to convey the importance of fighting for freedom, as Michael Bay's epic Transformers films have proven time and again. With a plot spanning the Cold War and America's space race with Russia, this third film in the Transformers series features Decepticon robots scheming to enslave Earth - before Sam Witwicky (Shia LaBeouf), his loyal Autobot friends, and the U.S. military come to the rescue. Much like Bay's previous films, Dark of the Moon mixes spectacular action (here in breathtaking 3D) and cheeky humor with a celebration of America's independent streak, fighting spirit, and passion for freedom. As Autobot leader Optimus Prime puts it, while defending his human allies from alien invasion: "The day will never come that we forsake freedom."
7) The Devil's Double - Lee Tamahori, Belgium/Netherlands
Starring Dominic Cooper in a career-making dual performance, The Devil's Double tells the true story of Saddam Hussein's villainous son Uday and his reluctant body double, Latif Yahia. Stylishly filmed by former James Bond director Lee Tamahori (Die Another Day), The Devil's Double depicts the full tyranny of the Hussein family's mafia-like reign in the '80s and '90s, dramatizing the plight of average Iraqis under their cruel and arbitrary rule. While taking not taking an overt position on the Iraq War, the film nonetheless depicts a brutal and ultimately doomed dictatorship that was a menace to the region - and to the human rights of the Iraqi people.
8) The Lady - Luc Besson, United Kingdom/France
Burmese democracy activist and Nobel Peace Prize winner Aung San Suu Kyi has lived an extraordinary life, seemingly tailor-made for the big screen. The Lady tells the story of Aung San Suu Kyi's (Michelle Yeoh) multi-decade struggle for democracy in Burma, now renamed Myanmar by its ruling military junta. The film depicts the poignancy of Suu Kyi's struggle: leaving her happy marriage and family in England, she returns to her homeland of Burma to lead the struggle for democracy, with the party she founded (the National League for Democracy) ultimately winning the 1990 elections. The election results are invalidated, however, and Suu Kyi is placed under house arrest for much of the next twenty years. Besson depicts the tremendous sacrifices made by Aung San Suu Kyi as a wife and mother for the cause of Burmese freedom.
9) 5 Days of War - Renny Harlin, U.S.
Director Renny Harlin's 5 Days of War is two things simultaneously: a crisp, high-octane action-war drama, and a heart-rending depiction of the brutal Russian invasion of Georgia in 2008. While largely side-stepping the initial cause of the invasion, 5 Days lingers on the human toll of the Russian assault, and on the courageous war reporters who struggled to get the story of war crimes out to the world. Featuring American stars like Val Kilmer, Andy Garcia, Dean Cain and Heather Graham, the film is as much an indictment of international indifference to human suffering as it is of the actual invasion. A stirring, emotional film that celebrates Georgia's desire for freedom, 5 Days concludes with a moving postscript featuring real-life victims of the invasion describing atrocities committed against their families.
10) Battle: Los Angeles - Jonathan Liebesman, U.S.
American science fiction has always taken a keen interest in the struggle for freedom. An intense, stirring and patriotic ode to America's fighting men and women, Battle: Los Angeles depicts a team of Marines - led by Aaron Eckhart as a rugged Marine staff sergeant - tasked with defending Los Angeles from a massive alien assault. Like an old-school World War II film, Battle: Los Angeles revels in the honor of military service, the basic code of fidelity to the mission and one's fellow soldier - especially in the face of overwhelming odds. Against a backdrop of intense urban warfare, often resembling street fighting in Iraq, director Jonathan Liebesman captures the steadiness and quiet resolve of America's soldiers as they defend civilians in an apocalyptic battle for human liberty.
We'd like to thank our colleague Joe Bendel for helping us compile this list and for his work reviewing many of these films for Libertas Film Magazine. Other timely films from 2011 on the subject of freedom include: Khodorkovsky, the chilling account of the Russian mogul's imprisonment by Putin; Cairo 6, 7, 8 and Scheherazade, Tell Me a Story, both portraying the struggle for women's rights in modern Egypt; along with The Black Tulip and The Miscreants of Taliwood, about the efforts of average Afghans to resist Taliban rule.
Follow Govindini Murty on Twitter: www.twitter.com/LibertasFilmMag
Or is your point that jingoism doesn't exist?
Freedom is a funny word. Every group claims to support it, regardless of what they want.
And by the way, the miracle that is happening in South America will eventually spread to Central America.
All of Latin America will eventually be free of U.S. dominance.
http://www.libertasfilmmagazine.com/docuweeks-la-lfm-reviews-my-perestroika-summer-pasture/
Here's my review of the Wallace screenplay, in case you're interested:
http://www.libertasfilmmagazine.com/exclusive-libertas-reviews-the-screenplay-for-the-randall-wallace-angelina-jolie-atlas-shrugged/
I have some knowledge of the geography of the area, so it didn't bother me, but perhaps a little more sense of the route - even at the end - would have been helpful for people. At the very least, it would have reiterated the enormity of the trek that they made. Nonetheless, I still thought it was a superb, emotionally-affecting film.
We are becoming a de facto police state right here on our own soil.
Patriot Act and NDAA abrogate all of our civil liberties.
And films like Transformers which shamelessly promote the American military don't help the cause of freedom and liberty.
They are pure propaganda.
It's war porno for little kids. They deserve better.
Right now, we don't need military solutions to the global problems.
We need enlightened political reform.
Starting right here.
Granted this is all in a sci-fi context, but the point we wanted to make is that there are many different kinds of films that can promote freedom, and big summer blockbusters are as valid in this regard as serious dramas and arthouse films. Indeed, they reach many more people and are therefore an important film genre to consider.
You can start with the work of Edward Bernays and see how his applications of Uncle Sigmund's theories created modern public relations and also influenced Herr Goebbels and the propaganda machine of the Third Reich.
The best propaganda is not overt, but works at subtler levels.
It instills jingoism not with a hammer but by promoting a way of life.
How can young kids even begin to question their own government when it is the intergalactic force of good that is sold in the Transformers?
Never mind that we've abandoned all of our values and civil rights in the name of some Orwellian security apparatus. We're the intergalactic good guys.
The kind of films you praise create the worst kind of slavery. They stifle questions.
The promote a shallow orthodoxy that suffocates free thinking.
That is not liberty.
(I'm posting this comment again because the first one didn't seem to make it through.)
That's a narrow and rather elitist view.
Americans alone do not define liberty and freedom.
Movies today deny reality in that they refuse to admit that violence is sometimes necessary to make peace.
We were much better educated a few decades ago.