I love Bill Maher's attitude and comedy and watch Real Time without fail.
But I was totally stumped as to why he would devote a half-hour last week to an interview with Ron Howard. Especially on a special-edition show where the other half-hour was devoted to a one-on-one interview with Gore Vidal.
How do they even equate?
I mean, I sort of get it: Maher hurled brickbats, smashed icons and otherwise gave the finger to religion with his audaciously funny documentary, Religulous, last year. He has a constant stick up his ass about religion -- and Howard has just directed a sequel to The DaVinci Code, which caused consternation within the Catholic Church. The new film, Angels & Demons, is sure to ruffle Vatican feathers as well.
But it's not as though Howard is an iconoclast himself; he just happens to be directing a movie that caused controversy -- not because he believed in its ideas but because it was based on a best-selling book and was a guaranteed box-office smash.
So why would Maher kiss Ron Howard's ass, giving him the one-on-one treatment as though he were a major filmmaker? What -- wasn't Joel Schumacher available? Is Richard Donner dead? God knows there's a long list of hacks of similar mediocrity.
I hate to be harsh about Howard. When I see him on TV, despite the beard and bald dome, I still see Opie and Richie Cunningham and Winthrop Paroo in The Music Man and even the snarly teen in The Shootist. (Whereas my 17-year-old son, who was watching Bill Maher with me, admitted that Howard just looked like "somebody's dad.") I've interviewed Howard a number of times over the years (beginning with Cocoon) and he's always been gracious, articulate and friendly.
But a major filmmaker deserving of that kind of attention?
Please. That's the kind of hagiography I expect from Turner Classics (which actually did run a Richard Schickel-produced career retrospective of Howard last year.)
For the rest of his post, click here to reach my website: www.hollywoodandfine.com.
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