The best show on TV? Right now, it's unquestionably Breaking Bad, the AMC drama about a high school chemistry teacher who starts cooking up crystal meth when he discovers he has cancer and may not be able to provide for his family. The Season Three finale is Sunday night at 10 p.m. and actor Bryan Cranston is relishing the critical success of the series.
Not many actors have been in two hit TV shows (Cranston was an Emmy nominee of course for the groundbreaking sitcom Malcolm in the Middle). Even fewer have been in a hit sitcom and a hit drama. But perhaps only Ed Asner (with The Mary Tyler Moore Show and Lou Grant) has previously been in a sitcom and drama that were both so critically acclaimed. For Cranston, who worked steadily for 20 years before finally getting his big break on Malcolm, they are literally the roles of a lifetime.
"It was a stroke of luck - twice - so I'm just very fortunate and always recognize that fact," says the 54 year old actor. "Who knows where it's going to take me from here? This may be the lead line in my obituary and if it is, that's fine by me."
For a man who emphasizes repeatedly that it all begins with the writing, he was clear before even landing the role that Breaking Bad was the perfect follow-up to the broad comedy of the hapless, fear-driven Hal.
"I knew it when I read the script that it was going to be a special show," says Cranston. "I knew it. I didn't know it was going to be successful; no one knows that. But I knew it was going to be good."
But Breaking Bad has likely exceeded even his expectations. For two years in a row, Cranston has won the Emmy for Best Actor, winning out over Jon Hamm for AMC's Mad Men (winner of Best Drama of course), Michael C. Hall for Dexter and numerous others (actors and shows he cites as examples of quality TV). For years, Cranston wasn't even nominated for his work on Malcolm until its creator touted his work at the Emmys itself and he joked repeatedly about the empty shelf space reserved for his statues. Now, that shelf space is filling up.
"The standard line is that it's an honor just to be nominated," says Cranston. "That may be, but it's a lot more fun to win."
And his career is a lot more fun, too. Cranston has more than 100 credits on IMDB, but the wild success of Malcolm didn't bring him the added oomph he deserved to snag bigger and better roles in film. (When someone is good in a comedy, people say, "Oh, they're funny." When someone is good in a drama, they say, "Oh, they can act.")
That's finally changed with Breaking Bad. Cranston has a string of roles in prominent films, including Love Ranch (about the first legal brothel), a World War II film about the Tuskegee airmen overseen by George Lucas, the future summer blockbuster John Carter Of Mars (starring Taylor Kitsch of another great TV show, Friday Night Lights) and Larry Crowne, which is written and directed and stars Tom Hanks, who has championed Cranston via projects like From The Earth To The Moon to Saving Private Ryan to That Thing You Do!
"It's a dramedy and I am an author and the husband of Julia Roberts. That's a nice role to have. I can think of very few roles I'd rather have," says Cranston. It's nice unless Larry Crowne (the Hanks character, an unemployed businessman who goes back to college) steals away your gal, right?
"Well, when he's writing his own movie, he does have the tendency to make himself the star," jokes Cranston in mock indignation.
So the success and growing recognition is sweet. But it wouldn't be so much fun if the show weren't so good. It began with an outrageous, catchy premise: high school chem teacher turned drug dealer. And for three seasons, Breaking Bad has deepened that premise and crafted surprising people remarkably well, including Cranston and his drug addict sidekick Aaron Paul (rightly nominated for an Emmy as well last year for his exceptional work). It was created by Vince Gilligan, a major contributor to The X-Files, including an episode called "Drive" back in 1998 that Cranston appeared in.
Every character -- from Cranston's accountant wife to his DEA brother-in-law to Giancarlo Esposito's chillingly self-possessed drug lord -- has become more and more fascinating. And Cranston's Walter H. White has grown from a man acting in desperation to a sometimes ruthless operator we're not even sure we should still like. It's as if we met Tony Soprano before he became a gangster and watched his descent. Here's a look at the first scene of the pilot episode.
Cranston loves the ambiguity of the show and even questions my suggestion that the premise was outrageous.
"I don't know if the premise is that outlandish," he says. "We see examples of this in the news all the time. How many times do we see a news report where the neighbor went berserk and kills? And the neighbor says, 'He was so quiet and nice and I can't believe it. He's the last person I would expect to be a counterfeiter' or whatever.
"I think we assume -- because of how most people live their lives -- we assume that everyone else is pretty much the same. We have no idea what goes on behind closed doors. And that's what is really interesting and intriguing about the whole thing."
And viewers have no idea week to week what to expect on Breaking Bad. One outstanding episode this season, "Fly," featured almost nothing but Cranston and Paul in a meth lab trying to kill a fly that had snuck into their room. It was bold and unconventional but also wildly suspenseful as we wondered whether Cranston's character would spill the beans about a secret that was haunting him. His wife (Anna Gunn of Deadwood) has gone from an unsuspecting spouse to a woman determined to divorce him to now pushing to take over the accounting so he doesn't get caught laundering money.
"I was really happy to see this season Anna Gunn's character really be fleshed out and realized," says Cranston. "It pointed out to me how important her character is to the anchor of this show. We all try to function as the foundation of Breaking Bad. "
Then of course there's Cranston himself, who has relished moments like confronting a drug dealer trying to horn in on his territory to the scene where his wife spins an elaborate lie (a funny scene given weight when he asks her where she came up with it and she responds stingingly that she learned from the best) to a show-stopping moment last season where he watches a young woman die. Wasn't it exciting to do that, as an actor?
"Yes and at the same time it's horrifying," says Cranston. "I look at this little girl who is dying and you can't help but personalize it and I think of my daughter dying and that's when it brought me to tears and shame and regret and finally acceptance. I just went through so many emotions at that point and the final one is 'move on, let it go.'"
But one of the hallmarks of the show is consequences. You can't just move on from your bad actions because every deed has repercussions. Every single one. Every lie, every cover-up, every attempt to appease one person rebounds in painful and unexpected ways. It's brilliant and funny and moving and Cranston understands perfectly when I say I want the series to end soon. Not because the show is close to running out of creativity, but just the opposite: the only thing harder than creating a great TV show is ending it well. Very few TV shows manage to do it. But the people on Breaking Bad seem keen to accomplish that feat. Creator Gilligan initially said he imagined the show should end at four seasons. But since the first season was only seven episodes long, he can be excused for not sticking to that target. Cranston supports the idea 100 percent when I say five seasons and out.
"I think it's going to be something like that. I really do," says Cranston, who mentions that season four won't begin filming until January of 2011 and may air during the summer. "All of us have expressed an interest in protecting the integrity of the show and the rule that we established that here's a man who is going to be dead within a year and a half to two years. And I can pretty much guarantee and I am honestly telling you this because I don't know how it's going to end and I haven't asked [Vince Gilligan] and I don't want to know, it will probably end with me dying in some way, to stay true. I would certainly think that is the way to go.
"I think there are enough stories to tell and enough time before the complete transformation of this character and others to tell this story in five seasons. I think it's legitimate without overstaying our welcome. Beyond five, possibly six but no more than that. Then there's the sense of commerce; you want to be good to the people who pay you to be here and that's AMC and Sony. There will be discussions as to when we should let it go. I think Vince and I would convince them it's time to let go so that we can assure that we can look back and be proud of all the seasons that we did as a journey and needing all of them and not stay a moment longer than we should."
If you're already watching Breaking Bad, you are certainly primed for the season finale. If you haven't watched the show, you've got 33 terrific episodes to dive into. You can Netflix or purchase seasons one and two on DVD and purchase season three on iTunes or wait for it to come out later. (It's not on Hulu yet.) With all the ways of watching TV, you never have to feel a serialized drama has passed you by. Don't let this one: it ranks with The Wire as an absolute peak of TV drama from the past 10 years.
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