Last year I had the good fortune to work with Link TV on an original series called "Rappers, Divas and Virtuosos: New Music From the Muslim World." (Yes, it's a mouthful!) We deliberately chose artists whose work was cutting edge, and from diverse backgrounds: a brash folk rock singer from Bangladesh, a world renowned classical composer and player from Iran, Morocco's premiere Hip-Hop group, and a Western Saharan diva. These profiles are now being streamed in full on the Link TV website, and I hope that you will check the series out in its entirety. I've spliced 'n diced together a few minutes from each one just for this post. --My apologies to the filmmakers.
What is the Music of the Muslim World? from Michal Shapiro on Vimeo.
All of these artists are struggling with societal issues while being true to their own artistic vision. But what I come away with after looking at these short profiles yet again, is a sense of their variation. Each of these segments has its own character, dictated by the music and the artist(s) it represents.
Kayhan Kalhor is a contemplative man utterly dedicated to his music, which has received critical acclaim worldwide. We shot with him while he was in New York to play with Yo-Yo Ma's Silk Road Ensemble, and then in Iran. His music is a wonderful blend of Persian tradition with modern eclectic sensibilities. The Moroccan Hip-Hop band H-Kayne is rapidly becoming a hit not just in Morocco but in France as well. While their music has become more mainstream of late, their concerns with the problems of Moroccan youth are a continuous thread in their performances. Anusheh's work with her band Bangla has revived interest in endangered Bangladeshi folk forms amongst her generation. The vastly talented Q Overdose directed the profile of this controversial figure. I have been a fan of Mariem Hassan's extraordinary voice for years. I was particularly happy to bring the Saharawi cause a bit of publicity, as it seems that so very few people know about it. Thankfully, her brand of Desert Blues is gaining recognition. You can see the entire song she sings in the beginning of the segment here.
The series was produced by Steven Lawrence for Link TV, and there's one more in the series, still in production, about the Senegalese Rapper Sister Fa. I'll keep you posted on that one.
And that's just the tip of the iceberg, since 47 of the world's countries have a Muslim majority.
Yes, there is indeed much music from the Muslim world -- too much to fit into one comfortable definition.
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I have been very happy with all the comments that this vlog has generated, both positive and negative. Thanks for writing, and contributi
Lal Band's fan club is active on facebook. I think it is the best source to get connected:
http://www
Btw, I think they are a socialist / communist band. I enjoyed their music, because their songs are actually the poetry of Pakistan's greatest revolution
Salman and Junoon are of course very high profile, but I will look at the others with great interest. Do you know of any way to reach Lal? Are they still active? I saw a video of theirs a year or two ago that was really wonderful; it was about the strength of unity in the face of political elitism. But I was never able to contact them.
The best thing about Pakistani music bands is that they are popular in the masses and routinely provide humanitari
thanks for the recommenda
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Karavan's rock delivering a strong message:
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Hadiqa Kiyani (female singer) singing a Puhto (spoken in Pakistan and Afghanista
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Junoon's guitarist Salman Ahmed with Melissa Etheridge is here:
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Ali Azmat's rocks here:
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Noori's rock 'Kuttay' (Dogs) is here:
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Just some well known Muslim musicians:
A.R.Rehman won the Oscar for his Slumdog Millionnai
Nusrat Fateh Ali Khan won a Grammy (or possibly more) for his music.
Beyond these, Ustad Allah Rakha,Usta
And this is not counting many thousands of Muslim musicians who make "folk" or traditiona
Your piece is well-inten
A further point: India may not be a "Muslim" country, but it has more Muslims than all of the "Middle East". To count those nearly 300 million democratic
Yes, it is very obvious that you did not create the ultimate compendium of Muslim music (whatever that may mean). And yes, I realised that you make documentar
YOUR article's headline poses a shallow question (although you are welcome to write it off as HuffPo's editorial decision) and presents the musicians or films (the elision in the text makes it difficult to determine) as somehow "represent
When you're a calmer and less aggressive
Or is it beneath the dignity of a maker of an "internati
Neverthele
just as there are so many forms of music from muslim lands there is also muslim music from many muslim lands
what I mean is, while there are many musical genres in each place in the world where muslims live, the muslims that make this music are making music that is coming from muslims
now, some of these muslims from each place also makes muslim music, i.e religously oriented music that is usually built around the most popular music in that place at the time islam arrived with strong influneces of the music popular with whichever ethnicity of muslim was conquering them at the time
and so, apart from music made by muslims in general (love songs, political, folk, etc) being so varied and even more from place to place, even more amazing is the variety of music with an islamic bent (muslim music) from place to place with the different lyrics and styles saying a lot about the islam of that place or another
I'm overly excited by the musics and I guess I'm just trying to say the article looks at only one slope on the mountain
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I'd love to return and cover more of the music that is happening within Morocco, within the actual musical community, as opposed to the imported festival musicians. (I do take issue with the way that traditiona