Given that the torture scenes are so repulsive, but shown nonetheless, it is clearly Bigelow's goal to make us never forget the horror and demeaning nature of torture both for the victim and for the torturers.
I still don't see "Silver Linings" gaining the kind of momentum it would need to call "Argo" back to the runway (only one more week of this metaphor, Chris, I swear!), but the campaign could help Russell win Best Adapted Screenplay and even Best Director.
Two leading Oscar pundits just added new drama to the Best Actress race: they ditched Jennifer Lawrence (Silver Linings Playbook) for Emmanuelle Riva (Amour), who recently pulled off an upset at the BAFTA Awards.
In total, there have been over 73,000 spoken, including 7,000 unique words, throughout the 468 speeches available on the Academy's website. Here are the top 100 words, with the size proportional to the number of uses:
We're closing in on the big night -- it's less than two weeks away -- and with a dip in the calendar, it finally feels like the right time to investigate the Best Documentary category. Being a dilettante, I have failed to see even one of the nominated films thus far -- too busy watching gems like "Identity Thief," I suppose -- but this is a two-man operation, and I know you've been quite excited about this category for some time.
In this week's special Oscars issue, our executive entertainment editor Mike Hogan maps his own journey from Oscar skeptic to Oscar fanatic. Mike Ryan speaks with Quvenzhané Wallis, the 9-year-old who is the youngest ever Best Actress nominee. And with viewership lagging among the coveted 18 to 49 demographic, Mallika Rao asks: how can the show be made better?
When Meryl Streep took home the Best Actress award for The Iron Lady last year, some commentators called it a "lifetime achievement award," implying that she beat out the competition more due to her body of work than her performance in that film.
I am totally open to being corrupted by the Hollywood system and will take bribes/join dubious religious/political societies. Anything for the glory. Anything for those flash bulbs. Anything for Quentin Tarantino to add me on Instagram.
Stop me if you have heard this one before: On Saturday night, "Argo" director Ben Affleck defeated "Lincoln" director Steven Spielberg for a significant precursor award.
This issue isn't your average cash-in-on-Oscar-fever special edition. It's a labor of love, and it reflects the HuffPost team's peculiar take on the Academy Awards: seductive yet infuriating, glamorous yet grubby, essential yet ultimately meaningless.
This year's Oscar line-up is once again rife with religious references, and the entertainment industry may be overtaking religious institutions as the prime mythmakers and ritual producers in a society where the "nones" are on the rise.
After months of speculation -- have we really been doing this since September? -- and endless rounds of red-carpet foreplay, it's almost time to hand out a new set of naked metal guys at the 85th annual Academy Awards. Will Ben Affleck's "Argo" manage to sneak a Best Picture envelope past customs? Can anyone challenge Daniel Day-Lewis and Anne Hathaway? Will Jennifer Lawrence pull a Sharpie out of her decolletage, sign her statuette and hand it over to a fan, Terrell Owens-style? We'll find out for sure on Feb. 24, when ABC broadcasts the Oscars live from the Dolby Theatre, in Los Angeles.
Slated for this year's Academy Awards is a tribute to the 50th anniversary of the 007 movie franchise which will include guest appearances by all six film actors who essayed the role of James Bond on the silver screen.
Good thing Chris Rosen has a jolly sense of humor. Soon after Michael Hogan and I raise him up as a model of Oscar punditry for picking Argo early on to win Best Picture, we tear him down in this webcam chat.
While Tommy Lee Jone's performance as the Congressman Thaddeus Stevens is tremendous, Phillip Seymour Hoffman's portrayal of a deeply passionate leader of a philosophical movement was by far the best performance by a supporting actor this year.
"Argo" has producers and actors behind it, a push that gives Affleck's film the momentum of a runaway freight train. Meanwhile, we're all still waiting for "Lincoln" to win one significant Oscar precursor.