Over the years I have collected various seed pods as I ran across them in various travels and swap meets. Their size alone is astonishing.
The trials and tribulations, both artistic and personal, of this singular crew would make a compelling story. However, the characters of February House are drawn in brushstrokes; there isn't enough at stake.
Less than two years ago, Chicago-based Perkins+Will completed construction for a 27-story building in South Mumbai, an eccentric accordion-like high-r...
Being with so many like-minded people and having a sense of camaraderie are clearly important dimensions of the experience for these artists. It's being in a place without stigma, where people believe in themselves and their abilities.
I know asking for money can be uncomfortable; I know looking for board members or planning an institutional marketing effort can be time-consuming and challenging. But unless one acts on a board development, marketing or fundraising plan, the effort to develop it is wasted.
It seems every city is talking about becoming an innovation city, an innovation region, an innovation community. But you can't have innovation without creativity.
News directors, please leave the animal stories and pictures to the Internet, which was apparently built specifically to disseminate such "aw"-inspiring material. And with the time you free up, maybe you can spare a minute for the arts now and then.
A few months ago musician Phill Eason asked me to make a prop for a musical. But this was not your average musical. In part, because it used cosmic, apocalyptic images from scripture. In part, because it was set in a modern-day mental-health ward.
Let's break out the sequins and the feather boas and have dessert first!
For all the talk about how theatre is different every night because of the interplay between actors and audiences, the real difference is found in what each member of the audience brings with them: a rough day at the office, a misbehaving child, an undigested bit of beef.
Wounded Warrior had asked some of us to come to Landstuhl to meet with the medical staff there. Some 3,000 strong, military and civilian, they work ceaselessly in what has become one of the busiest trauma centers in the world.
There were leather and piles of silver, feathers and dreadlocks, tattoos and guy-liner. I've never felt like such a square; even before the performance began it had rendered my life meaningless.
Spending two days with these students in classes and lecture was exciting and enlightening. They know far more about arts management than I could have dreamed of at that age.
This seemingly evasive conceit reflects a decidedly nuanced approach to the storied, well-trodden path that is Opera -- openly acknowledging more recent "experimental" precedents even while turning further back in operatic history for creative inspiration.
Like everyone else in the business world, we nonprofits need money to operate, folks, and lots of it. Let's focus on some steps nonprofits might take to follow their siblings in the for-profit sector toward a brighter financial future.
A concert by the Unforgettables, a unique singing group, makes it clear that there can be a life worth living for people with dementia and their caregivers, and that music and other forms of art have much to contribute to making it so.