Isabella Boylston will be appearing in Theme and Variations, Sleeping Beauty, Swan Lake, Les Sylphides, La Bayadère and Giselle during American Ballet Theatre's spring season at the Metropolitan Opera House beginning May 11th and continuing through July 4th.
Colorado's Contemporary Dance powerhouse Wonderbound (formerly known as Ballet Nouveau Colorado) has established itself as a major force with a variety of successful collaborations.
There's nothing revolutionary about the plot to the show, but it stands apart from others like it thanks to a heightened sense of importance. That's due to the fact that the show is set in Paris after World War II, where there's a spring in people's step for the first time in a long time.
It's spring at last, and time to get yourself in shape for summer. One of the great exercises around, that's particularly easy on the joints, is cycling.
Don't get me wrong, there's no problem with being a sex worker, or a wife, or a ballerina, or a heiress if you so choose. But what the female protagonists and antagonists in Gigi and An American in Paris lack is agency in their happily ever afters.
I face a constant pressure to define myself, to pick a label so others don't feel uncomfortable. But, I don't want to sacrifice my gender fluidity for the convenience of a label. I don't want to be shamed into a category. I don't want to lie.
There are hard times in life, times when we will bleed, times when we will be left, times when we will be injured and feel like we can't go on, but I've learned how to go on thanks to ballet.
Gelsey Kirkland and Michael Chernov have had their fledgling professional company of 28 dancers off the ground for just over a year now so it's a fair time to assess the preliminary results of their efforts based on this performance.
In February, I went to Washington D.C. to watch The Washington Ballet's 'Sleepy Hollow' premiere edition at the Kennedy Center for the Performing Arts. I have been a Board Advisor for The Washington Ballet for the last two years and was curious what new thing can ballet do to an iconic literary piece.
Broadway actress Jill Paice is having the time of her life playing the role of the rich American heiress Milo Davenport in An American in Paris on Broadway.
It is so odd to feel like an outsider on an issue that touched my life so profoundly and was at least a part of what Arthur Mitchell set out to address 46 years ago when he and Karel Shook cofounded The Dance Theatre of Harlem in the basement of a church in Harlem.
In the end, it's unfair to presume people are as judgmental as we fear, and we should stop playing our own worst critic. The key for me with this is to proceed with a sincere heart -- believing in yourself no matter what the outcome, imagining the goals you set in front of you, and shaking off the peppering of hypothetical thoughts that do not serve you.
The Joffrey Ballet displayed determination, range and energy as they tackled three disparate pieces on Wednesday night at Chicago's Auditorium Theatre. Unique Voices offers the work of two choreographers who explore the various aspects of relationships, and one who delves into the very nature of ballet itself.
I admit I've never been a big fan of ballet. I really didn't understand how dance could tell a story so, although I admired the dancers' talent and flexibility, I just wasn't touched on an emotional level. But a couple of weeks ago, I saw Fumbling Towards Ecstasy -- and I got it.
"New Combinations" was the perfect title for the program at New York City Ballet, which presented the world premiere of Justin Peck's "Rōdē,ō: Four Dance Episodes."
It doesn't matter if you're the dad or the mom, on a dance floor or on a ballfield, the things children need to be taught are all the same: kindness, respect, generosity and fair play.