On the flight back to New York, I reflected on the Whitney Museum's grand new digs in Chelsea's Meatpacking District and was struck by how fortunate we are to have two extraordinary new museum buildings on both coasts.
Just prior to the Arthamptons opening, I met with Ruth Appelhof, Executive Director of Guild Hall, who will receive the Arthamptons Lifetime Achievement Award on July 5. Over eggs Benedict at the Maidstone in East Hampton, we talked.
Obtaining self-mastery or enlightenment during Frieze week is not an easy mission. Frieze Art Fair New York poses many challenges for art dealers, artists, collectors and its boosters, known as patrons. Most of this is psychological.
This year's Frieze Talks program exhibits a strong streak of humor and irony, promising to transform the auditorium appendage at the north end of the Frieze tent from a room you might accidentally wander into when you're looking for a bathroom, to the room that you're actually looking for.
Ron Burkhardt's curiously handsome and codified new geometric-inspired works create a zigzag jigsaw puzzle of communicative compositions that keep the viewer guessing until the final piece falls into place.
This week marks the third year of Frieze New York, the London fair that went head-to-head with the tradition of the Armory Show and took NADA and Pulse with it, subsequently asserting itself as a "fair" contender.
But what is great about editions and multiples, is that they are meant to be more accessible and fun. These often whimsical objects can lend a breath of creativity to the more functional areas of life -- like kitchenware, rugs, jewelry and furniture.
In anticipation of 12/21/12, this past year saw a return of the doomsday film. Melancholia was an okay end-of-the-world movie, but for this fan, it was not a very good Lars Von Trier film. Perhaps a third viewing is in order.